Marie Losier

After 26 years of spinning dives and flying uppercuts on the ring, Cassandro, the star of the gender-bending cross-dressing Mexican wrestlers known as the Exoticos, is far from retiring. But with dozens of broken bones and metal pins in his body, he must now reinvent himself.

This intimate portrait will reveal uncommon stories of groundbreaking visual artist and pioneer of minimalist electronic rock, Alan Vega, vocalist and composer for 1970s and 80s punk/post punk duo Suicide. Alan plays with the camera and enjoys the friendship of filmmaker Losier, while also loving, fighting and living with his family (Liz Lamere, his wife and collaborator, and their son Dante, young replica of Alan). Traces of joy, eccentricity, illumination but also deep fatigue and slow Suicide. The rock-n-roll Alan is still very alive, funny and rebellious.

Two policemen interrupt a secret ceremony: a woman being disembowelled at the bottom of a garden to let out her inner beauty. This situation is presented in a variety of ways and all possibilities are explored.

Louis II de Barrière has been petrified in the ice since the dawn of time. We find him in a forest, luckily he is alive ! Three witch sisters try to defrost it and unravel its musical mystery. We are propelled with them in a colorful and surreal fairy tale.

A few days before the museum reopens, director Marie Losier is invited to be the first to re-enter and film her discovery of the place. During this night at the museum, she wanders from room to room and films the enigmatic creatures she encounters - animals, works, but also the artists and accomplices she has invited. These successive apparitions compose the scenes of a surrealist film that spectators can discover in a giant projection on the façade of the museum during an exceptional evening.

For the past 17 years, Marie Losier has captured the dynamic and provocative essence of Peaches, the trailblazing feminist queer icon. This intimate portrait offers a deep dive into the life of an inspiring, taboo-shattering artist. Discover Peaches’ electrifying concerts, her close bond with her sister and how her boundless energy, fearless exploration on and off stage has transformed every phase of her life into a captivating work of art.

An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV +) and their wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their 'Pandrogyne' project.

"Electric Storm" celebrates the beginning of electronic music marked by the 100th birthday of the Theremin - Dorit Chrysler envisioned its setting in a “Cathedral of Science” namely at CERN, the international Nuclear Research Center at Geneva. Teaming up with Film Maker Marie Losier, “Electric Storm” was filmed (by Marie on 16mm) at the CMS collider cave of CERN in mid march.

A metropolis awash in electrical overdrive crashes in the heat of summer and sends a Bronxite into the clutches of a waterworld further north. It is there that we witness the cooling fogs and diving mammals of maritime yore and sail free in winds of a nautical nature. A nature that fills the summer sky with twinkling tidbits and the tummy with protein rich denizens of Neptune’s soup. A tour of the towering turrets of tomorrow land and the spatial splendor of yesterday’s yearnings captured on both chemical and electrical media.

Bim Bam Boom Las Luchas Morenas, is about three Mexican sisters, professional wrestlers, whose lives, lived according to their own ideas, are a struggle but also a lot fun.

Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.

Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.

A girl with two male companions in a room is a space where the mind's eye wanders!

A woman with an oddly hairy belly gives birth to a pair of hands in Marie Losier’s giddily inventive "portrait" of filmmaker Guy Maddin, done as a collaboration between the two iconoclasts. A longtime fan of Maddin, Losier (best known for other inventive portraits of underground film icons like Tony Conrad and George Kuchar) hoped to document him as well; "I hate my voice and face," Maddin replied, and sent her Super-8 footage of his hands instead. Losier interwove the footage into her own distinct tale, shot like a surrealist 1920s silent film. A must for fans of Losier, Maddin and ingenious cinema in general, MANUELLE LABOR was completed for the Berlin Film Festival (where Maddin was the guest of honor). - Jason Sanders A collaboration film by Marie Losier and Guy Maddin. Two sisters, five brothers, a doctor and two nurses and the miraculous birth of a pair of hands, but whose hands?

Marie Losier invites us into the world of The Residents, an iconic figure in American avant-garde music for over fifty years. Hidden behind their anonymity and iconic costumes, this San Francisco-based collective revolutionised the underground scene with their sound experiments and daring aesthetic.

Hi I'm Extra Ultra Super Gal and today I'm helping my friend Jane with issues of period overflow. Come meet my friends!

The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers his youth and his association with Jack Smith. - Harvard Film Archive

The story of "Joan of Arc" is one of the most frequently told tales in cinema's hundred plus year history. This brand new version is a post-mortem/post- modern collaboration between the Great Dane Carl Dreyer and Marie Losier, who inserts herself into the 1928 film as God's greatest lover and France's most cherished martyr. A funny tragedy.

Musical performance of Felix Kubin at the piano, but not any piano... an AIR PIANO!

With George Kuchar, Marie Losier, Jason Livingston, Paul Shepard. Five winsome damsels picnic on the roof of a warehouse in charming Long Island City, a forest of skyscrapers gleaming across the river. But when a swarm of flies interrupts their feast of chocolate-covered pretzels and cream-pies, the young ladies run amok.

Musical with music, musicians, muses and fishes... On a giant ferry, two mermaids (Tony Conrad and Genesis P-Orridge) play violin to attract the fish from the sea, when suddenly a giant fish with 30 dancers in its stomach lands on board. April March, the great singer appears while singing out of the fish belly while 30 costumed dancers jump around in this surreal setting ... when a fish fight ensue.. 'What a brilliant explosion of brilliance! Brilliant colors! Brilliant music! Brilliant costumes! Brilliant casting! I shall cherish this masterpiece forever!' Guy Maddin, Nov 2009 Part of the project "LIVE FILM! JACK SMITH! Five Flaming Days in a Rented World".

In this dream portrait, George Kuchar travels through snow confetti, strobe flashes and artificial wind as he describes his weather diaries. Then, George joins Janet Leigh in the shower. Wearing a red raincoat and a shower cap, reading comic books and blowing bubbles, he laughingly describes his bathing rituals and the making of his film, HOLD ME WHILE I'M NAKED.

A warm and nostalgic hiss of a spinning vinyl meets the 16 mm film’s grainy image. The music starts and, while the sound of a storm echoes in the distance, the image is illuminated by iridescent superimpositions: visions of bodies experiencing a panic fusion of feminine and masculine, nature and artifact, analogue and digital, early cinema and exuberant contemporaneity