Anna Nogara

Also known as “Letter from Venice,” Susan Sontag’s fourth and final film tells of a relationship that is fragmenting as the partners tour the decaying ruins of a hallucinatory Venice.

Rome, 70s. Rocco and Antonia, high school students, meet during a political rally. The two young people share age, political ideas, dissatisfaction with their parents. Moreover, by attending, they realize they have fallen in love. It is the discovery of sex and passion. After some time, however, their relationship goes into crisis.

It is Summer. It is the right time for love, especially in a most romantic place as Golfo del Tigullio. Different stories: Dorina looking for a rich lover; Clara who takes a fancy to the young Walter while her daughter Lina tries to save her; Aristarco who gave up his career to follow Ada's, but who likes Jacqueline; Renata who is offered by her husband to Ferrari to get money; Marcello who, extraditing Micheline to France, misses the train and falls in love with her.

A fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The King of Spain has ordered Rodrigo to choose a wife among seven Italian Princesses, but he is smitten by the lowly peasant.

A dramatization of the events from the Last Supper through the arrest and trial of Jesus to the Crucifixion.

'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982.

After a close call on on the highway, Marco--a very famous singer/songwriter in 1968--climbs onto the roof of his car and starts to sing. After an unsuccessful suicide attempt, he tries to take his life back into his own hands.

A shipwreck strands a modern Italian businessman on a desert island. Like Robinson Crusoe he must find a way to return to civilization; unlike him--he's a 20th-century man, a totally different case.