Emiko Omori

Harvey Milk was an outspoken human rights activist and one of the first openly gay U.S. politicians elected to public office; even after his assassination in 1978, he continues to inspire disenfranchised people around the world.

Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.

African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.

In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war.

A highly-critical documentary about the history of Asian-American actresses in Hollywood. Features interviews with pioneering Asian-American actresses and clips from classic films, such as "The Thief of Bagdad," "The Good Earth" and "The World of Suzie Wong," interspersed with Asian/feminist sociological commentary.

Fumiko Hayashida: The Woman Behind the Symbol is both a historical portrait of Fumiko, her family and the Bainbridge Island Japanese American community in the decades before World War II as well as a contemporary story which follows 97-year old Fumi and her daughter Natalie as they return to the site of the former Minidoka internment camp, their first trip back together in 63 years. The film reveals how the iconic photograph became the impetus for Fumiko to publicly lobby against the injustices of the past.

This documentary brings to the public, for the first time, a story that was classified as secret by the US government for over four decades. Exploring the roots and legacy of the Cold War on the Chinese American community during the 1950s and the 1960s, it presents first hand accounts of seven men and women's experiences of being hunted down, jailed and targeted for deportation in America.

CORPUS explores the mass adulation and explosive posthumous recognition of Selena Quintanilla, the Tejano rock singer murdered by the president of her fan club in 1995. Pushing beyond the mainstream media's fascination with her violent death, Portillo interviews Selena's family and friends as well as the devoted fans that pilgrimage to Selena's grave in Corpus Christi, Texas, to pay homage to the slain star. Moving and provocative, this humble investigative portrait explores Selena's cultural significance as a pop icon and shines a light on the hopes, fantasies, fears, and realities of young Latinas today.