Divine

Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".

'Pleasantly plump' teenager Tracy Turnblad achieves her dream of becoming a regular on the Corny Collins Dance Show. Now a teen hero, she starts using her fame to speak out for the causes she believes in, most of all integration. In doing so, she earns the wrath of the show's former star, Amber Von Tussle, as well as Amber's manipulative, pro-segregation parents. The rivalry comes to a head as Amber and Tracy vie for the title of Miss Auto Show 1963.

Blessed with a keen sense of smell and cursed with a philandering pornographer husband, a parasitic mother, and a pair of delinquent children, the long-suffering Francine Fishpaw turns to the bottle as her life falls apart -- until deliverance appears in the form of a hunk named Todd Tomorrow. Originally screened with "Odorama" scratch and sniff cards so the audience could (at their own risk) smell along with the film.

The Cavalcade of Perversion, a traveling freak show, acts as a front for Divine, who is out for blood after discovering her lover's affair.

Though legendary lyricist Howard Ashman died far too young, his impact on Broadway, movies, and the culture at large were incalculable. Told entirely through rare archival footage and interviews with Ashman’s family, friends, associates, and longtime partner Bill Lauch, Howard is an intimate tribute to a once-in-a-generation talent and a rousing celebration of musical storytelling itself.

An investigation of how Hollywood's fabled stories have deeply influenced how Americans feel about transgender people, and how transgender people have been taught to feel about themselves.

A deranged killer wearing a clown mask begins preying on a group of young women working at a phone-sex company.

Teenage delinquent Dawn Davenport, incensed after her parents do not give her the cha-cha heels she wanted for Christmas, runs away from home. After an illegitimate child and hairstylist husband bring her more misery, she's enticed into a life of crime when the owners of her husband's salon promise her fame and fortune.

The lives of an ex-con, a coffee-shop owner, and a young couple looking to make it rich intersect in the hypnotic Rain City.

Assaulted by outlaws, donkey-riding Rosie joins a silent drifter's search for gold in the Old West.

John Waters' first sixteen-millimetre film, about a deranged nanny who kidnaps young girls and forces them to 'model themselves to death' in front of her boyfriend and their crazed friends. It was never shown commercially.

A day in the lives of a hit-and-run driver and her victim, and the bizarre things that happen to them before and after they collide (sexual assault by a crazed foot-fetishist, visions of the Virgin Mary, strange chicken-foot grafting operations).

Tally Brown, New York is a 1979 documentary film directed, written and produced by Rosa von Praunheim. The film is about the singing and acting career of Tally Brown, a classically trained opera and blues singer who was a star of underground films in New York City and a denizen of its underworld in the late 1960s. In this documentary, Praunheim relies on extensive interviews with Brown, as she recounts her collaboration with Andy Warhol, Taylor Mead and others, as well as her friendships with Holly Woodlawn, and Divine. Brown opens the film with a cover of David Bowie’s “Heroes” and concludes with “Rock ’n’ Roll Suicide.” The film captures not only Tally Brown’s career but also a particular New York milieu in the 1970s.

Aitor is a director making a film about a lonely man looking for love, called “Soul Ache.” While he uses his auditions to meet women, he really longs to cast actress Myriam Mezieres in the film.

This improvised film is based on the true-life suicide of TV personality Art Linkletter's daughter, Diane. Mr. and Mrs. Linkletter fret about their daughter's recent behaviour, which includes taking drugs and dating a lowlife named Jim. Eventually, the parents confront Diane… with tragic consequences.

On 16 February 1983, Divine performs a seven-song set at the Hacienda Club in Manchester. His peroxide blond hair sticks in all directions; he's dressed in a skin-tight, short, off-one-shoulder, sparkling dress that he says he got from the Queen, who wouldn't wear it. The set includes Gang Bang (the name-game song), Jungle Jezebel, Born To Be Cheap, Alphabet Rap, Native Love, Shake It Up, and, for an encore, Shoot Your Shot. The band, whom we never see, is techno-rock. Between songs, Divine chats up the audience, usually talking about sex.

Produced in 1978, The Neon Woman is an “outrageous murder mystery” set in a run-down Baltimore burlesque house managed by a retired stripper, Flash Storm, the hottest stripper that ever lived who has gone legit, opened her own strip joint, and is trying to cope with whatever comes along. There's Kitty Larue, the stripper with an identity problem. There's the horny bible thumping senator who wants to pray with Divine but really wants something less spiritual. Finally, Divine's young virgin daughter returns from boarding school and within minutes is turned into an alcoholic, heroin addicted stripper who has been betrothed to the black janitor. There's more but as the cliché goes, it has to be seen to be believed! By the time of it's VHS release, the 12 year old live footage was already a bit raw and gritty, but still gives more than a fair idea as to why Divine was so loved as a performer. The production ran for eighty-four performances at the Hurrah Discotheque, New York.

This show was filmed in Manchester, England in 1983, just as Divine's recording career was taking off, and shows him at his tasteless and tacky best. From his appearance in 1966 in his first John Waters film until his death in 1988, Divine always courted controversy. Love him or hate him you can't help but find him talented and very funny.

Tales from the Darkside is an anthology horror TV series created by George A. Romero, each episode was an individual short story that ended with a plot twist. The series' episodes spanned the genres of horror, science fiction, and fantasy, and some episodes featured elements of black comedy or more lighthearted themes.