Aris Chatzistefanou

Debtocracy seeks the causes of the Greek debt crisis and proposes solutions sidelined by the government and the dominant media. It follows countries like Ecuador that created debt Audit Commissions and tracks this process in Greece.

Unknown short stories from the past, the present and the future of fascism and its relation to the economic interests of each era. We will travel from Mussolini’s Italy to Greece under the Nazi occupation, the civil war and the dictatorship; and from Hitler’s Germany to the modern European and Greek fascism.

As the economic crisis deepens, interventions in journalistic work are increasing and journalists are being asked to choose whether to follow a central line or whether to dare to take a different stance. Those who dare risk not only being fired or prosecuted, but even their physical integrity. Oppression presents just a few of the hundreds of incidents that show that one of the victims of the crisis in Greece is the free press.

Famous Greek artists Yannis Aggelakas and Olia Lazaridou read excerpts from the book A Journal of Two Voyages by Nikos Kazantzakis, while director Aris Chatzistefanou juxtaposes the narration with footage from modern Japan, combined with manga, anime, and video games. An ode to the last journey of the author that shaped his worldview and costed him his life.

The creators of Debtocracy, analyze the shifting of state assets to private hands. They travel round the world gathering data on privatization and search for clues on the day after Greece's massive privatization program.

"This Is Not a Coup" describes ECB's financial interventions in states like Italy, Ireland, Portugal, Cyprus and Greece. Featuring well known academics, politicians and journalists, it analyses the relation of EU institutions with big corporations and banks. In order to guarantee full independence from private companies and interests, the project is financed through crowd-funding - namely donations from citizens, trade unions and independent organizations and foundations across the globe.

A Greek journalist travels to Venezuela trying to understand why the politicians in his crisis-plagued country debate whether there is enough toilet paper in Caracas. Through several trips, which bring him from the shanty towns to the borders of Colombia and back to Europe, he discovers a reality that differs from the mainstream media narrative.