Paulo César Peréio

Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.

Maiquél has lost a bet and dyed his hair blond. This seemingly innocuous event triggers a head-on collision with destiny in which he goes from nobody to hero to outlaw — all in 24 hours.

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

The father of a family of lower middle class of São Paulo dies. But he did not realize this and starts to watch the reactions of his children and the collapse of the fragile family structure. Based on a novel of Mário Bortolotto.

Follows a rich family, composed of 4 people, during a trip in which they all start getting disposed of their material goods, personal histories, and maybe even their lives.

A making-of directed by Bodanzky himself, the documentary discusses the language of the film Iracema - Uma Transa Amazônica 30 years after it was made, gathering interviews with the authors, actors, critics and the filmmakers themselves.

He observes his reality with astonishment. She multiplies herself in images. An admirable event happens.

A rock singer goes to Brazil to shoot a video, but winds up getting kidnapped and enduring a number of seemingly bizarre and hilarious events.

An anonymous urban protagonist experiences a series of absurd situations--including a crazy cab ride, an encounter with a wacky criminal gang, and lots of gunplay--infused with a unique anarchic energy, eventually suggesting our true animal nature.

Story of Brazilian bank-robber Lúcio Flávio, who fascinated some people in Rio de Janeiro during the 1970s for his bold robberies and spectacular escapes, and also because he was thought to be intelligent and "politically aware". Before dying, he disclosed a network of corruption in Brazilian Police, and its involvement with the infamous "Death Squad" of the time, a group of policemen who went about killing criminals without giving them a fair trial.

Middle-class family reform their apartment, and the noise, the contact with the workers and strange occurrences turn what was supposed to be a trivial matter into a trip to hell.

Adapted from his autobiography, the film recounts the story of Hiroito, The King of Boca do Lixo (a region in downtown São Paulo of the fifties where various nightclubs, strip joints, prostitution, bars, and drugs can be found). Hiroito was a well born bohemian and at the age of 21 was accused for the murder of his father, who was violently stabbed over 40 times with a razor. Hiroito was not charged, however two months after the death of his father, Hiroito bought two guns and moved to Boca do Lixo and became one of the most dangerous criminals of the region.

In 1850 the Italian dancer Maria Baderna arrives at Brazil, her fame and the scandals she provokes turns her name in a common expression. The film uses passages supposed to be about her to criticize modern Brazil, the dictatorship period and also a homage to filmmakers like Rogério Sganzerla.

Experimental film, guided by the feeling of oppressive, paranoid, obsessive life of its characters. An essay on the oppression and dehumanization of the Brazilian people.

In 1873 in Rio Grande do Sul, a group of peasants come together to form a community of brothers, arousing the enmity of the rest of the population. They are immigrants from the German region and develop a communitary social model, having the Bible as a code of morals, faith and conduct. The group's economic independence ends up irritating the locals to the point of provoking successive aggressions that culminate in a bloody massacre.

A mad scientist attempts to bring an ancient Egyptian mummy back to life.

Felício, an old comedian, is in decadence after his partner Mandarim's suicide. When he finds out his former love Paloma has died, he leaves São Paulo and heads for the faraway State of Piauí, North of Brazil, in search of a new partner. He believes that if he manages to find him, the good times will return.

Unable to endure the idea that he would go without punishment, a criminal's victim chases him the length and breadth of Brazil for a showdown.

São Paulo, late 30's. Alberto is an intellectual and professor who announces to his friend and pupil Polidoro he won a scholarship to study in Paris. In Paris Polidoro receives a letter in which Alberto announces that he married Helena. Polidoro returns to Brazil in 1945, when there was a strong political agitation against the New State. Alberto invites Polidoro to spend a few days at his home in Campos do Jordão. After reaching the site he is told by Helena that Alberto was forced to travel urgently. She insists he should stay there until the return of her husband and, while waiting, she seduces him. Then, after several days of intense passion, she orders Polidoro to go away and never see her again.

A failed artist searching strength to move ahead. By a young lady, who might be his daughter, he develops a project that changes his destiny.

In the tiny poor town of Asa Branca, in the middle of Brazilian Northeast, Roque Santeiro is worshiped as a saint. He was supposedly killed by a bandit, 18 years ago, trying to save the local church. After his disappearance, local leaderships such as landowner Sinhozinho Malta and mayor Florindo, took profit on that to control the humble population. They even make up a widow, Porcina, who should have married Roque secretly before his death. What they don't expect is that Roque is alive, and he's back to, allegedly, "save his people". Now Malta, Florindo, Porcina, and others must hold him down and explain the "truth" to their commoners, in a desperate attempt to save their own bottoms. Meanwhile, mysterious facts surround Asa Branca, such as a Werewolf, a film crew who are trying to shoot a movie about Roque's story, and violent murderers.

The soap opera's central theme is life after death, inspired by the philosophy of Allan Kardec, the codifier of Spiritism. The character who drives the plot is Alexandre, a delinquent who kills himself in prison after being convicted of robbery followed by homicide and goes on to torment the lives of all those he considers responsible for his tragic fate.

Sassá Mutema is a farm laborer who becomes the target of the city's powerful figures' cruelty. With Clotilde's support, he discovers that it's possible to start a new life alongside a great love.

Jocasta, an 18-year-old sociology student and daughter of communist activist Túlio Silveira, is actively involved in the country's political landscape. She is in love with Laio—her polar opposite—a disengaged, esoteric young man who lives off his wealthy father's allowance. A mystic, Laio makes no move without consulting his guru and friend Argemiro, whom he turns to upon learning of Jocasta's pregnancy. The cowrie shell reading reveals that his son is destined to kill him and enter into a romantic relationship with his mother. Terrified, Laio disappears with the child immediately after birth, aided by Argemiro—who loves Laio and loathes Jocasta. Twenty-five years later, Jocasta is a successful yet restless woman searching for her missing son. She is estranged from Laio, who has spent recent years expanding his father's fortune through involvement in underground gambling. On a highway, he encounters Oedipus, unaware that the young man is his son.

Written by Manoel Carlos, “The Presence of Anita” is an amazing story about love, passion and the traps of destiny. Anita is an angel faced teenager who seduces a writer, destroying his family and his life. According to her, nothing is coincidence. Destiny is already written and she cannot change her fate.

A man bored with his reality, works in the São Paulo government censorship department, is married to Isabel, but falls in love with Dora Dumar, an actress of the films he has the obligation to censor.

After her divorce, Malu faces challenges in supporting her daughter and reinventing herself, grappling with loneliness, work, and the search for a new place in the world.

When his father passes away, Estácio and his aunt Úrsula receive his will and are surprised to discover that most of the inheritance was left to Helena, a previously unknown daughter. In the will, her father asks that his daughter be taken in by her relatives. The news infuriates Úrsula, who has been in charge of the family business and caring for Estácio since his mother passed away, and does not accept Helena willingly, seeing her as an intruder in the family. In addition to Úrsula, someone who is not pleased with the girl's arrival is Dr. Camargo (Rogério Fróes), father of Eugênia, Estácio's fiancée. Even so, Estácio obeys his father's request and takes the girl to live with his family. Helena has a cheerful and outgoing temperament and her arrival affects everyone's lives. At first, she is hostile to Úrsula, but later wins her sympathy.