György Fehér

Inhabitants of a small village in Hungary deal with the effects of the fall of Communism. The town's source of revenue, a factory, has closed, and the locals, who include a doctor and three couples, await a cash payment offered in the wake of the shuttering. Irimias, a villager thought to be dead, returns and, unbeknownst to the locals, is a police informant. In a scheme, he persuades the villagers to form a commune with him.

A naive young man witnesses an escalation of violence in his small hometown following the arrival of a mysterious circus attraction.

In the dense and murky woodlands of provincial Hungary, the search for a child murderer drags a once-respected detective into an all-consuming obsession enshrouded by irresolution and despair, even long after he has been taken off the case. What emerges is not a crime story, but a harrowing venture through the darkness of the human soul.

An intelligence agent blackmails the author he is spying on to write the government surveillance reports about himself, as he hates writing.

A woman and her lover plot to kill her older husband.

With this 32-minute short film, based on Ernest Hemingway's posthumously published book A Moveable Feast, György Fehér commemorated the author, who died 75 years ago. In the film, Tamás Cseh - one of his earliest film appearances - sings live the lyrics of the song, which are only sung in this film. This was the first time György Fehér and he worked together.

Zoltai is a Hungarian professor who returns home after a visit to the United States. Following a television interview, he commits suicide and leaves a note for his longtime friend Dr. Bardocz. The doctor and Zoltai's colleague Komindi join the police in investigating what drove the man to suicide.

Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of Gloucester, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.

The rich love wealth and believe that if they don't keep accumulating it, the world will collapse. It is this human weakness that Volpone, the old con man, builds on, inventing an unexpected trick to play a sickly old man about to die, who, with the help of his servant and skilful apprentice, tricks the hypocritical but wealthy Venetian citizens into doing anything in the hope of a rich inheritance. How things don't turn out as planned...

Silence ('Csend') is an experimental short film by Károly Bárdos from 1968. A short film of associations of images and shapes, sound effects and wonderful compositions.

A focus on the tormented lives of intellectuals who failed to protest recent troubles in their homeland. Jancsó emphasizes highly evocative and ambiguous imagery over dialog or exposition as he – through visually fascinating imagery – depicts the painful, stunted lives of Hungary's intellectuals who have remained silent and ineffectual during various political crises.

A young man promises a stamp collection to an old man who helps him fix his motorcycle. The old man tries to acquire his reward by any means necessary.

Smoky little clubs, late nights, late nights of conversation over a glass of beer and a guitar. The lyricist Géza Bereményi and the composer-performer Tamás Cseh are the creators of the most topical and accurate songs of the 70s and 80s, expressing the mood of the "30s and 40s" of that time - a mood that was their own destiny. This stunning recording from 1980 includes songs like Tangó, Álomfejtés, Szabó Kálmán tegnap este..., A 100. éjszaka, A legjobb viccek, Születtem Magyarországon, A dédapa dala, Egy bogár, Krakkói vonat, Az ócska cipő, Filmdal.

Elderly Hungarians living in an apartment block attempt to gain recognition for their problems from government representatives.

In the Kerepesi Street cemetery, three grave diggers contemplate the fate of the world, then they step out of this role and in a sequence of episodes they play the typical figures of contemporary Hungarian reality, the fat cat, the swashbuckler, the victim, underworld chieftains, and present little absurd dramas of love, marriage, friendship, public order and legal safety. The author and the film director walk among them all the time, contemplating, laughing at their plays. The stories starting from the graveyard and returning there warn of the inevitability of death. The author and the director (Gyula Hernádi and Miklós Jancsó) wisely make friends with death.

A five part docu-drama following the everyday lives, family conflicts, careers, joys and problems of a married couple of school teachers and their five children.