Mabel Cheung Yuen-Ting

Identical twins are separated at birth, one becoming a streetwise mechanic, and the other an acclaimed classical concert conductor. Finally meeting in adulthood, they're mistaken for the other and entangled in each other's worlds.

Ai-ling married a wealthy and powerful businessman. Ching-ling married Sun Yat-sen, the revolutionary founder of modern China. Mei-ling married Chiang Kai-shek, China's leader during World War II. The sisters captured the world's fascination for their brilliant marriages and their strong influence on their nation.

A kind-hearted fisherman, content with simple life, is reluctantly drawn into helping a noble emperor regain his throne from his evil brother.

Developer Tsang Siu Chi and his agent have bought two of a group of four properties. Rival developer Boss Hung has secured the other two. Both aim to buy all four so they can knock them down and build hotels.

Hong Kong native Lee Kay moves to NYC's Chinatown while attending college. When she learns that her boyfriend's cheating, her cousin comforts her.

A former spy in the Chinese Nationalist Party falls for an opium-dealing widow, as China is ravaged by war and revolution.

This is a story about the Peking Opera School that Jackie Chan, Samo Hung and Yuen Biao attended as young men. The story is about their teacher Master Yu and his school.

This is a screwball-comedy in Hong Kong style. Chow Yun Fat plays the spoiled village hetman of a tiny village in Hong Kong. The plot revolves around his love interest who has run off to work in downtown Hong Kong and many culture clashes between the peasants and urban life are highlighted.

The story of man and ex-girlfriend found dead after a car crash and how their children come together to retell the story.

Told through the eyes of sticky-fingered eight-year-old boy Big Ears, Echoes of the Rainbow takes place in a close-knit grassroots community in 1960s Hong Kong. Big Ears' mother and father run the neighborhood shoe store, and his older brother Desmond is every family's dream son - an outstanding athlete with grades worthy of Hong Kong's best school.

A surprising look at the past of movie star Jackie Chan and the difficulties of Chinese families during the Culture Revolution.

Shorts made by 11 directors in order to fight against the SARS epidemy that occurred in China and Hong Kong in 2003. The shorts were produced by the Information Service Departement of the Government of HK SAR. The aim was to bring back confidence to the HK popuation. The running-time is 1 to 2 minutes for each short.12 Short films: 1-"Rhapsody", director: Johnny To and Wai Ka-fai; 2-"My Sow Is Not Feeling Well", director: Fruit Chan; 3-"Smile", director: Teddy Chen; 4-"Of a Cause" (Animation) director: Tsui Hark; 5-"Hong Kong - A Winner", director: Stephen Chow; 6-"Who's Miss Hong Kong?", director: Joe Ma; 7-"Family of Heroes", director: Alex Law and Mabel Cheung; 8-"Until Then", director: Gordon Chan and Dante Lam; 9- "McDull 1:99" director: Brian Tse; 10-"Spring, 2003", director: Peter Chan; 11-"A Glorious Future", director: Andrew Lau and Alan Mak; 12-"Making of 1:99", director: Wong Shou-Ping.

An ex-pat travels from New York to his home village in rural China after a long absence. On his way, he meets a familiar girl.

Shan, an art assistant, juggles responsibilities on the film set and at the hospital, where she cares for her father, Kueng, who has cancer. During her time at the hospital, Shan is tasked by the crew to collect a big bowl from the prop-studio. At her father's request, they discreetly leave the hospital together, embarking on an unexpected journey from the studio to Macau, and subsequently to Okinawa, allowing Kueng to address his unfulfilled wishes. Following his peaceful passing, Shan inherits not only memories but also a lasting sense of courage, optimism, and imaginative spirit that sustains her throughout life.

A seemingly innocent romance between two people is destroyed by reality in Step on Grass. Under most circumstances, “she” and “he” would be together happily ever after. However, the problem is that “she” is a teacher, and “he” is her student. The nature of their relationship may be pure, but society will always see it as improper due to their identities. Soon, one step in the wrong path sends their lives further spiraling out of control, and “she” is forced to make a decision.

A documentary that takes audiences on a captivating journey into uncharted territories, pushing the boundaries of filmmaking and advancing the art form. It serves as a captivating window for audiences to appreciate the unique charm and cultural richness of Hong Kong cinema.

The lead, arrested and processed after a police raid on a Canal St. clothing workshop. He has no status in HK, where he'd swam, or the US, where he arrived as a stowaway, to avoid metal detectors which would pick up the bullets still in his body.

What could possibly turn a shy, quiet nerd into a voyeur? A long, lazy summer coupled with endless boredom? Sometimes through his binoculars and other times loitering on campus, a secondary student seeks to get an early taste of what university life has in store for him, dropping in on lectures, stalking the object of his gaze and lurking within her personal spaces. Feeding on a voyeuristic and borderline intrusive look into the lives of others, the voyeur remains at distance an idle walker and casual observer of a time and place charged with passion of a political (and sexual) nature, until his path crosses with hers and the two finally converge…

Beauty in the eyes of 4 filmmakers. Kurosawa Kiyoshi's Beautiful New Bay Area Project finds it in a kung-fu fighting young woman with a particular sense of honor. From China, Lu Yue's 1 Dimension reinvents a childlike Buddhist fable about good and evil. For Taiwan's Wu Nien-Jen and Hong Kong's Mabel Cheung, beauty resides in reconciliation and new hope. Wu's A New Year, the Same Days happens over New Year when a retired old man leaves home, while Cheung's Indigo takes place during Christmas, with Elaine Jin playing an aging dance teacher with two troublesome children.

She is a teacher of Chinese literature, reciting poems and recounting the brilliance of ancient Chinese poets before a class of students whose common parlance is foul language. He is a hormone-charged teenager who makes a paper plane for the teacher from a torn textbook page doodled with drawings of the object of his fantasy. She is a divorcee whose husband was rumoured to have an affair with a student in his school. With partly fascination and partly curiosity, he starts making suggestive remarks in class and stalking her outside the school, rattling her with flirtation. Both carrying a heavy load of baggage, the teacher and her student are about to ignite a spark that will scorch them both.

A rock and roll story that portrays the decay of political and cultural lacunae that have separated China and Hong Kong for so long.

Mainland student Yi Yao comes to study in this busy city. Before her roommate arrives, she is all alone staying in a rented apartment of an old tenement building. Unfamiliar with everything, she tries hard to explore around only finding that the neighbours are noisy, weird and unhelpful; especially after the man living opposite to her getting killed. Being hungry and helpless, she locks up herself in the flat and acts strangely. Can anyone help her? Through a series of mysteries, social issues like Mainland students flocking to Hong Kong, overcrowding living area and indifferent neighbours are covered in the short film.

To a wheelchair-bound elderly woman abandoned to the care of a foreign domestic maid, a phone line is a lifeline that connects her to a cross-section of females from a jumble of bygone eras. As she showers persistent but inconsequent questions on her unwitting receivers, she drifts further from reality, her lucid moments increasingly rare. Struck by the doctor’s advice, her son takes the first step towards helping her separate fact from fantasy, and by relating the nostalgic past to the present, unlocks old memories that are waiting to be shared.

Sparked by the demolition and reconstruction of its century-old campus, Ying Wa Girls' School embarks on a project to chronicle the transformation of its students through the camera of director Mabel Cheung, its distinguished alumna. Following a group of young students since 2011, the documentary captures the trials and tribulations that go with the most turbulent decade in Hong Kong's history.