Shivraj

Siblings Rakhi and Raju are orphaned at a young age but grow up to become successful entrepreneurs. However, petty differences over their earned wealth and property threaten to ruin their bond.

At the very moment of her birth, ill-fated Chhaya's mother passes away, her dad loses his job, and their house burns down. She is shunned since then by children her age as well as their parents. Her dad brings her up with a lot of love, and even arranges her marriage with a young man, whose mother, uncle and nephew approve of Chhaya. But when the uncle finds out about Chhaya's past, they reject her. This news kills her dad, and Chhaya re-locates to live with her friend, Leela Lal, who lives a middle-class lifestyle with her husband, Murari, and her mother-in-law, who is very superstitious and never lets Leela out of her sight. Murari and Leela introduce her to Prakash, an airline pilot, and both eventually fall in love with each other. When Prakash takes her with him to meet his mom, Chhaya finds out that she is the same woman who rejected her and abruptly leaves without meeting anyone.

Three brothers, each raised in different religious households, reunite after many years in a chance encounter. They set out to take revenge on those responsible for separating them.

A stridently nationalistic story of India’s freedom struggle, presented through the experiences of a Bengali family from 1885, when the Indian National Congress was established, to 1947. Important events incorporated into the plot were Gandhi’s satyagraha (1920), the Simon Commission (1928), Vallabhbhai Patel’s Bardoli satyagraha (1928) and the 1942 Quit India agitations. Krishan Chander’s script, Sachin Shankar’s choreography and the acting styles owed much to the IPTA theatre of the 40s. The film, made at Bombay Talkies, was produced by the distributors of the Chicago Radio PA systems label. Kishore Kumar plays the militant hero of this quasi-documentary. Motwane included old documentary footage purchased from Kohinoor and Krishna Film, as well as a shot of Rabindranath Tagore singing his Jana Gana Mana composition, one of India’s national anthems (Arunkumar Roy’s Of Tagore and Cinema, 1994, traces this footage to Ufa, shot when Tagore visited Munich)

A self proclaimed misogynistic writer rescues an injured woman who suffers from amnesia but claims to be his wife. In the process of finding out her real identity, he falls in love with her.

A man is devastated when his beloved is seemingly killed in a train crash, so his colleagues suggest he goes for a picnic to cheer himself up.

Anita is a weird girl, who either loses her memory or pretends to not remember.

Four young boys tragically separated from their parents and each other grow up to become four different men with divergent values and conflicting methods. Fate eventually sets their paths for a head on collision.