Francisco Guerrero

The two largest ranches in a small town are operated entirely by women, because their menfolk have all emigrated. Seceral of the younger women have boyfriend troubles, and all the women band together to vote their own representative into City Hall as Mayor.

This is the story of Rubí, a young, selfish and hypocritical woman who, through ambition and deception, ruins the lives of those around her and her own.

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.

During a long summer, the tranquility of a couple and their three children resting in a country house is altered with the arrival of the children's uncle, a character who exerts a curious influence on the boys and a morbid and strange attraction the wife. Twelve years after 'Los viajes escolares' (1973), his first commercial feature film, the Madrid director Jaime Chávarri returns to the same estate in the province of Segovia to shoot a new family story, about his own plot and script. Like its predecessor, 'The Golden River' contains a strong autobiographical charge and is full of personal resonances. But this new history of family ties is narrated from a perspective in which adultery manifests itself openly. Endowed with a slow narrative rhythm, the film presents an international cast headed by Ángela Molina, Bruno Ganz, Francesca Annis and Stefan Gubser. The film also has the presence of a very young Juan Diego Botto, in one of his first appearances on the big screen.

After Fiera and her punk cohorts break their leader Tarzan out of prison, no one is safe! The newly reunited gang are quick to resume their favorite pastimes: robbing banks, brokering drug deals, and securing weapons, all while leaving a trail of mutilated corpses in their wake. As the entire countryside becomes caught up in the punk’s lifestyle of debauchery and violence, it's up to federal agents Javier and Marco to track them down before bloodthirsty anarchy becomes the new way of life.

Carlos defends the people of his town from bandits who want to steal their gold.

Family honor, greed, machismo, homophobia, and dreams collide in a small Mexican town.