A. V. Meiyappan

When Vimala’s wayward lover Rajnikant is killed by her brother Mohan, the brother is sheltered from the police by the victim’s blind father, Major Chandrakanth. The major’s elder son, the zealous cop Srikanth, is in charge of finding Mohan, whom he finally arrests in his own house. Realising that his father knowingly sheltered a murder suspect, Srikanth arrests the blind old man as well.

Meenakshi, an unwed mother, leaves her baby in Nathan’s car after her lover, Moorthy, abandons her. Though Nathan takes care of the child, his girlfriend, Mohana, becomes suspicious of him.

After four brothers get killed in succession, Vimalanathan and his niece, Susila, are the sole survivors. So, Bhaskar, Susila's lover, tries to find the stalker who is hunting his lover's family.

Valli, a tribal girl falls in love with Muruga. But Muruga plays mind games with her and troubles her. Will they get united?

Sukumar is misled into investing all his savings in the moviemaking business. However, things take a turn when he ends up debt-ridden and at the mercy of the law.

A crooked wealthy man has cheated a gullible poor woman and meanwhile an aristocratic self-possessed woman is being flirted by a responsible officer, an ideal for modern India in this "social guidance picture".

When Kamal Kumar meets the young, beautiful Gayatri on a train he instantly falls in love, and despite the fact that he is the son of a wealthy landowner, Rattan Kumar, and she the daughter of a farmer, Narayan, he convinces her to marry him. But when Kamal has to go to Singapore for business, his father finds out about the wedding and makes Gayatri swear she will never reveal her relationship with Kamal to anyone. When Gayatri discovers she is pregnant with Kamal's child, she and her father are forced to leave the village.

A rich, happy-go-lucky young man lives with his faithful man-servant. The young man gets married to a well-to-do woman who is more educated than him, and she changes him to a more responsible person

Chellam begins to suspect her husband, Dr. Vembu, of having an extramarital affair after spotting him with another woman.

Set against the backdrop of World War II, three brothers are separated by war while their sister Kalyani faces immense struggles after being widowed and left destitute. As each sibling endures hardship and societal injustice, their paths cross in unexpected ways, culminating in a dramatic courtroom trial that exposes the harsh realities of their world and sets the stage for a powerful family reunion.

Rich and pretty, Susila returns from college to find that her family is being bumped off one by one. The only clues are a half smoked cigar left at the scene of each murder and a mysterious woman in white running through the courtyard.

A landlord's son and a farmer's daughter fall in love and marry secretly in a temple. Since their love is not accepted by the families, they are forced to separate while their child grows up in an orphanage.

Sundaram, a hotel employee, dreams of becoming an actor. He meets Vijaya, who admires his innocence and sincerity, and falls in love with her. But Raghavan, Sundaram's best friend, hides the fact that he is engaged to Vijaya.

After her husband's death, Manorama is left alone with an infant daughter. The daughter falls ill due to poor nutrition, and in an act of desperation Manorama leaves the daughter in front of the house of Seth Jagatnarayan Chaudhary, a wealthy man who, having recently lost his wife, decides to adopt the girl. The following day, Manorama manages to get a job in the house as a servant but while she gets to care for Sarita like a mother, she longs for a day when her daughter might call her mom. Meanwhile Sarita grows up to be a beautiful girl who soon finds herself in some romantic entanglements.

A thief breaks into a wealthy man's house unaware that the man is his father, who had abandoned his mother and him a long time ago.

A rich businessman, Dayashankar Kumar (Shivraj), who is a widow, lives with his two young sons Ashok and Raj. When he catches the younger boy Raj stealing money, he punishes him and threatens to cut off his fingers. A frightened Raj runs away from home. Years pass and the older brother Ashok (Ashok Kumar), becomes the owner of his father's business and property, running Superior Motors, which also extends to Bombay. Ashok is married to Lakshmi (Nirupa Roy) and is a caring and loving husband. They have a young son, Munna (Daisy Irani).

Savithri, who does not have any kids with her husband, decides to adopt her sister's child. Things take a turn when her sister meets her child after many years and yearns for him.

Mehrban is a 1967 Hindi language film written and directed by A. Bhimsingh. It is a remake of Bhimsingh's own Tamil film Padikkadha Medhai (1960) which itself was a remake of the 1953 Bengali film Jog Biyog, based on the novel of the same name by Ashapoorna Devi.

The story is based on the Sthala Purana of Gokarna Kshetram in Karnataka

Twins, who were separated at birth, reunite to bring together their divorced parents. A remake of Disney’s The Parent Trap, this uproarious comedy was a smash hit thanks to the melodious tunes penned by the legendary M. S. Viswanathan. For her adorable performance in the twin roles, Kutty Padmini became the first Tamil actress to win the National Film Award for Best Child Artist.

Prahlada, Lord Vishnu's staunch devotee, is born to Hiranyakashipu (S.V. Ranga Rao) his father. Hiranyakashipu is determined to dissuade his son from worshipping Lord Vishnu, as the Lord killed his brother, Hiranyaksa. To prevent Prahlada's devotion, Hiranyakashipu is willing to go to any extent.

The action revolves around two friends played by Vyjayanthimala and Anjali Devi. In Tamil.

A singer and dancer par excellence, Lata lives a wealthy lifestyle with her dad, Choudhry Goverdhanlal Patwardhanlal and mom. Her parents would like her to get married to wealthy Shekhar, who she initially approves of. Shortly thereafter she meets with Vasant Kumar and both fall in love with each other. When Shekhar finds out that Lata does not want to marry him, he is enraged and starts to investigate Vasant's background. He finds out that Vasant's real name is Ashok, who is a writer for a magazine 'Bahar, has a relationship with a woman, and also has a son.