Michel Lipkes

The love story of Jonathan and Yesi, two garbage collectors working under the despotic and violent Master Clean's command. He is always followed closely by Mum, a longtime collector who silently and ghostly cleans the streets of the city. One night, while doing their work, they find the corpse of a man with money. Master Clean takes a terrible decision. Jonathan and Yesi plan their escape. A tragedy looms.

Tracking an old man (with a truly Bela Tarr-like persistence) through the streets and bars, and porn cinemas, and taco-joints, of Mexico City on what might be the pensioner's last day on Earth, Critic/curator-turned-film-director Lipkes has crafted an undeniably challenging but beautifully realised vision of modern loneliness.

A famous American filmmaker travels to the Yucatán to scout locations for his last movie. The Mayan Apocalypse intercedes.

A FICUNAM commission for four directors, Liminal seeks to play with poetic affinities between film and music. Moving across aesthetic and generational differences, the film-makers explore this relationship through four distinct stories as to context and imaginary.

Set in future Puerto Rico, follows Zur'na's quest to rescue her kidnapped brother from US colonial forces, unveiling a system oppressing her people along the way, accompanied by talkative neighbor Vyeñu.

In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.