Margaret Bodde

Featuring unprecedented access to Jim Henson's personal archives, filmmaker Ron Howard brings us a fascinating and insightful look at a complex man whose boundless imagination inspired the world.

Part documentary, part concert film, part fever dream, this film captures the troubled spirit of America in 1975 and the joyous music that Dylan performed during the fall of that year.

Featuring never-before-seen footage of the band and the legions of young fans who helped fuel their ascendance, follow McCartney, John Lennon, George Harrison and Starr as they land in New York City in February 1964 and solidify their status as the biggest band in the world.

Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.

A portrait of musician David Johansen from Martin Scorsese and David Tedeschi featuring a live performance at Café Carlyle in New York City, where he performs as Buster Poindexter singing the Johansen songbook, along with new and archival interviews.

Martin Scorsese narrates this tribute to Val Lewton, the producer of a series of memorable low-budget horror films for RKO Studios. Raised by his mother and his aunt, his films often included strong female characters who find themselves in difficult situations and who have to grow up quickly. He is best remembered for the horror films he made at RKO starting in 1940. Starting with only a title - his first was The Cat People - he would meticulously oversee every aspect of the film's completion. Although categorized as horror films, his films never showed a monster, leaving it all to the viewers imagination, assisted by music, mood and lighting.

Wim Wenders looks at the dramatic tension in the blues between the sacred and the profane by exploring the music and lives of three of his favorite blues artists: Skip James, Blind Willie Johnson and J. B. Lenoir. Part history, part personal pilgrimage, the film tells the story of these lives in music through an extended fictional film sequence (recreations of '20s and '30s events - shot in silent-film, hand-crank style), rare archival footage, present-day documentary scenes and covers of their songs by contemporary musicians such as Shemekia Copeland, Alvin Youngblood Hart, Garland Jeffreys, Chris Thomas King, Cassandra Wilson, Nick Cave, Los Lobos, Eagle Eye Cherry, Vernon Reid, James "Blood" Ulmer, Lou Reed, Bonnie Raitt, Marc Ribot, The Jon Spencer Blues Explosion, Lucinda Williams and T-Bone Burnett.

Eric Clapton’s lifelong passion for the blues burns brightly inNothing But The Blues. The film – which was broadcasted once in the U.S. on PBS in 1995 and nominated for an Emmy®Award – has been upgraded to 4K for its long-awaited official release. Written and produced by Scooter Weintraub and executive produced by Martin Scorsese, the documentary includes an in-depth interview with Clapton conducted by Scorsese. Throughout the interview, Clapton discusses his love for the blues and the profound impact bluesmen like Muddy Waters and B.B. King had on his music. Many of those artists (Robert Johnson, Howlin’ Wolf, Buddy Guy, T-Bone Walker) appear in the film through vintage performances, interviews, and photographs. The film also features 20 previously unreleased live performances recorded in 1994 during the legendary guitarist’s tour supportingFrom The Cradle, his Grammy-winning, multi-platinum blues album.