Abbas Abu Elhassan

Nawara works as a housemaid for a family closely linked to the Mubarak regime. On the eve of the 2011 revolution the family decides, for safety, to leave the country temporarily and ask her to look after the villa. Flush with cash for expenses, Nawara calls her fiancé Mustafa and the two are soon enjoying a taste of life at the top. Her journey from the alleys of her poor neighborhood to the luxury compound brings with it the worries of the people and their simple dreams—and an experience she could never have imagined.

The events revolve around three eras: the Pharaonic era, the Mamluk era, and the first half of the 20th century. The events revolve around corruption and the power of some clerics over the ages to power and false and bad dealings with the people, and how to involve religion in politics in order to obtain positions. That there are clerics deliberately coloring and counterfeiting in this period of time to be the strongest and maintain their positions.

After his expulsion from the Military Academy, Hussain gets involved in mafia crimes abroad. Upon being deported to an Egyptian prison, and in order to give him a second chance to live a well meaning life, the Egyptian Intelligence Agency assign him with a secret mission. Hussain reluctantly accepts extensive bio-psychological training with a unique patriotic team who revive his love for his country.

A sequel to The Treasure (Part 1) - Reality & Fantasy (2017) The movie resumes with the stories of Hatsheput in the Pharaonic era, Ali al-Zaibaq during the Ottoman era and Beshr al-Katatini, head of State Security Investigations Service, who faces new challenges in work and love, whilst pointing his son, Hassan, towards a treasure through his recorded will.

After witnessing the murder of his father as a child, Ibrahim is drawn into the criminal underworld of Egypt. While making a name for himself with his best friend Ashri, he finds his high school sweetheart Houria and manages to rekindle their love, but paths intertwine with Abdel Malik Zarzor, the city's crime lord, who is connected somehow to Houria.

The lives of residents in an old Cairo building, "The Yacoubian Building," are affected by issues like corruption, extremism, class disparity, and sexuality. Through diverse characters, the film offers a critical examination of Egyptian society.

A wife gives birth to sextuplets, forcing the husband to sell three of their children due to poverty. When the wife finds out, she decides to leave her husband and travel abroad and many conflicts arise between siblings in the future.

The events take place inside an orphanage, around a young girl named Sukar, who lives with a large group of children. The orphanage is run by an obnoxious woman and her henchman, who have bad intentions