Randhir

The entire plot is woven around Indian family values, enterprise and meteoric rise in business.

Handsome and fairly good-looking Anil Kumar is employed with Natwarlal, who is a criminal gangster. Natwarlal asks Anil to find employment with Shailendra Singh, and after doing so, seduce his beautiful young daughter, Neetu Singh, marry her, and thus get himself a stake in their property and wealth. Anil agrees to do so, and does find employment with Shailendra. What he had not counted on was Shailendra's second wife, Kamini, who has an agenda of her own, and who decides to keep Anil for herself.

After her widower dad, Kedarnath, passes away, Shobha goes to live with his friend, Charandas, and his wife, Shanta, who had their son go missing as a child. Years later Shobha is now matured and Charandas scouts for a suitable groom. A wealthy man, Sunder, would like to marry Shobha, but the family detests him.

A treacherous Sangram ascends the throne of Shamgarh by deceit. In order to end his rule and get married to his sister, Chandralekha, Raja rises up against him.

In India, girls from their very birth are taken for a liability upon their parents; thus the mothers of the nation are looked down on in their own homes. Kamala represents such afflicted Indian girlhood. She is the daughter of Judge Ram Pershad who is illiterate and has orthodox views about girls. She stands first in the Matriculation Examination and has an ardent desire for studying in college in order to become a doctor. Judge Ram Pershad is totally against college education for girls. It is his faith that any money spent on the sons alone is money well-spent merely because they are sons and will stand by him in his old age. Kamala is determined not to bow before injustice, but to secure her rightful place in society. She makes an all-out bid to join college with the contrivance of Dr. Ratanlal, a close friend of her father. In college, she comes across Shyam, who helps her in many difficult situations.

Surajmukhi is a 1950 Bollywood film directed by O.P. Dutta, starring Rehana, Shyam, and Gope. Produced by L. Prashad under the Madhuban banner, the film also featured Yashodra Katju and Durga Khote in key roles. The music for the film was composed by Husanlal Bhagatram.

1947 bollywood film.

A romantic drama set against the musical traditions of its time, centering on love, conflict, and emotional upheaval.

Roshan is a pickpocket whose life changes after a man he steals money from commits suicide. Driven by guilt, he sets out to repay the money to the deceased man's family.

After fathering a child, Maharaj Bahadur Singh marries and starts a family. One of his sons grows up to usurp him, the other becomes Zorro.

After a failed conquest, Emperor Ajaatshatru pretends to be a soldier in the enemy's army to weaken them from the inside. However, he falls in love with Amrapali, a well-respected royal courtesan, and must decide what his main priority is.

Conflict between the "haves" and "have nots" in a feudal state, is spearheaded by an outlaw, with his band of associates, horse and dog, providing all action, suspense and tempo. The chief minister and his supporters try their best to thwart the revolt which ultimately succeeds in unexpected way. - It was a unique world for "Baazigar", where the pattern of society was thrilling, fascinating and with liberty - a strange socialistic pattern!. . The chief Minister of State Mansingh believed that Baazigar is a dangerous blood-thirsty dacoit of notorious indetification in society!

The intense events of a single, fateful four-day period forever change the destiny of two lovers, proving that a lifetime of happiness or sorrow can be decided in just a few, fleeting moments.

Shobha Mathur lives a wealthy lifestyle with her Professor dad, who is now carrying out experiments on various issues. One day while doing so, he makes an employee named Manohar drink a potion, which results in his death. Rajan comes to their rescue, gets rid of the body, and starts blackmailing Mathur, which can only end when Shobha marries Rajan. Then one day Shobha meets a poet by the name of Sudarshan and both of them fall in love. When he asks for her hand in marriage, Shobha refuses. The next day Shobha finds a note addressed to her from Sudarshan in which he has stated that he is going to kill himself. Thereafter, every night she starts to hear Sudarshan's voice, blaming her for his death, as his soul is unable to find solace. With Sudarshan out of the way, Rajan readies himself for marrying Shobha - and it looks like he may have his way with the Mathurs after all - without having to encounter any more obstacles.

A mother faces challenges when she is asked to look after her husband's very young step-brother.

A peasant and his followers take up banditry and rebellion in response to unjust taxation from wicked deputies of the King. Robin Hood style.

Widowed by the sudden passing of his wife, Superintendent of Police, Choudhry, brings up his son, Rajesh, on his own, teaches him all known good values, and when he grows up sends him to College in Bombay, and remits money to him regularly. Choudhry would like to transfer to Bombay Police, so that he can be close to his son, and then one day out of the blue, his transfer is approved, and a delighted Choudhry writes to his son to pick him from the railway station. Upon arrival in Bombay, he does not find his son at the Railway Station, but when browsing through a newspaper he sees his son's photograph - wanted for the murder of a card-sharp. Shocked and dismayed, Choudhry attempts to piece his life together and attempts to find Rajesh before the City Police do - for he may well face the death sentence. Choudhry does find him, but only after Rajesh is accused of killing a woman named Kishori, and this time Choudhry is quite sure that there is no hope for Rajesh.

A tough and honest police officer clashes with a crime boss who, unbeknownst to him, happens to be his parents' murderer.

A social drama that focuses on the struggles of a cherished daughter as she navigates societal expectations and family conflicts that threaten her personal happiness and romantic choices.

The film is a social drama that explores themes of friendship, sacrifice, and the moral complexities of the time. While detailed plot synopses of 1950s "B-movies" can sometimes be elusive, Dost is characterized by the typical emotional storytelling of the era, often centering on family dynamics or star-crossed relationships.

Hit by endless misfortunes, the orphaned siblings Deepak and Laxmi struggle to make a life for themselves

After his father’s death, Navendu devotes his life to raising his step-siblings and honoring his promise to care for his stepmother. However, as the siblings reach adulthood, the family bond is tested. Each must choose between the Road of Sacrifice and the Road of Selfishness, leading to a dramatic conflict between duty and personal greed.

After Shekhar (Raj Kapoor) falls for beautiful Sharada (Meena Kumari), he makes her promise that she'll wait for him while he goes abroad on a business trip. But when Shekhar's plane goes down in flames, Sharada finds comfort in the arms of another man, not knowing that he's Shekhar's widowed father (Raj Mehra). Trouble is, Shekhar survived the crash and soon returns home, only to discover that Sharada has become … his mother!

Ashok returns to India after completing his studies and falls in love with Kavita. A series of unexpected events test their relationship, leading Ashok to navigate complicated situations involving love, duty, and family honor.