Sheila Britt

Two bored suburban housewives, neglected by their workaholic husbands, take on a couple of college kids for kicks, then decide to join a wife-swapping club. Complications arise when love, jealousy and resentment arise.

A young woman answering an ad for a traveling companion winds up drugged, kidnapped and in the clutches of a white slavery ring.

A psycho sex-fiend keeps his infantile girlfriend Vicky in Submission with candy bars, toys and, yes, hot wax. But when they plan on killing a wealthy lesbian, Vicky discovers she likes a woman's touch and plans a nasty surprise for her boneheaded boyfriend!

Everything you need to know is telegraphed by the title of this Spanish-language drama. The story takes place in a hothouse Mediterranean setting and combines lust, intrigue and murder in the overheated sexploitation style that was popular during the late 1950s and early '60s.

The film starts out B&W and shows Oliver Nibble being berated by his wife. They go to a cinema and Oliver's imagination runs wild. The film turns into color as Oliver photographs his models in various stages of dress (and undress).

A young woman is stabbed in a bar frequented by criminals and her boyfriend is arrested as the main suspect. However, when the girl finally dies, they assign the case to a commissioner, father of the detainee. He will discover that behind the crime is a dark network of blackmail and drugs.

Three College friends go off to New York to become Broadway stars and they endure an endless parade of casting couches and frauds in their pursuit of Limelight, which puts more and more strains on their friendships.

During a cataleptic fit, Montel is buried alive, a burial plotted by his greedy wife Sofia with several men, including her lover, Montel's doctor. Exiting his grave, Montel goes on a sexual rampage.

Jeannie relates her life story to her shrink.

An angry, alcoholic matriarch tyrannizes her spoiled, adult children during an unwanted family meeting, where someone begins killing them one by one.

Presented as an inquiry into the ways of lust, this film is staged as a documentary. It moves from rural prostitution (the roadhouse) to pornographers, then on to streetwalkers, male hustlers, and high-class call girls. The madam runs the bordello, she depends on the photographer to supply her with pornography; he's in the city, using his camera to lead him into depravity. The streetwalkers risk arrest from the cops and abuse from the johns. Even the call girls have a tough time: from their expenses to their lack of self-reflection. Their motto: "Live fast, die young, and make a beautiful corpse."

Three white kids travel down to Mississippi to help with voter registration. Murder, sex slavery and general unsavoriness follow.

Marcy is forced to change her sexual orientation because of town rumors.

Previously lost sexploitation melodrama following Millicent Redmond, a woman who hosts annual raucous and sexually licentious reunion parties for her former sorority sisters and their lovers at her cushy beach house.

Jennifer Weller, though satisfied with her marriage to Eddie, finds her role as a suburban housewife oppressive and begins to accompany Marian Harris, a restless neighbour, on jaunts into the city.

Blackmail and fraud in the milieu of a fashion house serve as a hook for partner-swapping and sex games.

A young woman looking for love in the big city instead finds herself being used for sex, posing for a nudie photographer and seeing a shrink.

Jean Wells believes she kills a man during a hit-and-run one evening. A man named Joe appears and, in exchange for keeping silent about the murder, blackmails Wells. Wells begins to doubt the accident and struggles with her sanity.