Eliana Miglio

During the Covid-19 lockdown, a film crew is shooting an adaptation of Camus' La Peste. Reality and fiction start to blur between each other.

A group of people are trapped in a West Berlin movie theater infested with ravenous demons who proceed to kill and possess the humans one-by-one, thereby multiplying their numbers.

A group of tenants and visitors are trapped in a 10-story high-rise apartment building infested with demons who proceed to hunt the dwindling humans down.

A cop suspects his wife's infidelity, only to become the prime suspect when she's murdered. A criminal psychologist believes the real killer is a presumed-dead serial killer, as more murders unfold.

Rome, 1990. The night Italy's national football team is eliminated from the World Cup by Argentina on penalty kicks, a well-known film producer is found dead in the Tiber river. The main suspects for the murder are three young aspiring screenwriters, who–promptly taken to the police–start to tell their version of the story.

Two textile traders, with the shop close to one another, fight for the supremacy of their own business during the racial laws in 1938 Italy.

This is a true story about forty Jewish children on their way to Palestine, who were blocked by the German and Italian occupation of Yugoslavia in 1941. Before finding a haven at Villa Emma in Nonantola in northern Italy, where they arrived on June 17, 1942, the children spent several adventurous months in Slovenia, caught up in the ongoing fight between the partisans and the Italian army. In April 1943, another 33 children, some from the Balkans, others from France, joined the original group. All were orphans who had lost their parents in concentration camps and had subsequently been smuggled out of Germany by Recha Freier, a well-known Zionist. The group ranged in age from six to twenty one and settled in at Villa Emma with their chaperones and teachers, Josef Indig, Marco Schoky and the pianist Boris Jochverdson.

Paola, a modern woman used to the hardships of modern life, takes her chance to make things right for herself.