Petra Vančíková

A fairy-tale about an old lady who takes care of snow and Jakub who does not fear death. It reflects the idea of people's longing for happiness, love and understanding, their effort to overcome troubles and win over death. It criticizes greed and evil desires.

Sonya is the heiress to the riches of a Czech noble family—the Hajns. Petr, a social climber marries her, ignoring some shady goings-on—in particular, an insane uncle who prowls the mansion believing himself invisible, a peccadillo the family indulges. The uncle’s stalking every corner of the house, popping out of cupboards and out from behind curtains slowly takes its toll on the young bride.

Lukáš, Alžbetka's son, takes off into the world looking for happiness and love. His godmother, the celestial Lady Winter, keeps an eye on him. He arrives late in the fairy-tale land that she leads him to. Fear reigns where once cakes grew on trees. The miraculous ram has disappeared and the royal town is cursed. Lukáš has to decide what is closer to his heart: a fortune or love?

An interesting attempt at a postmodern crazy comedy with elements of parody. The plot turns on the search for the recipe of a liqueur made by the film’s financial backer.

The story takes place in the Czech-German border region in 1938. The hero Tomás Jakl marries but the marriage is not very lucky and falls apart. His German friend forced him to enter the Nazi party.

A humorous film about the emotional problems of adolescence. Sisters Helena and Vlasta, one aspiring to win a hairdressing competition and the other dreaming of a career as a famous model, have their own ideas about a great future, but gradually realize that in life they must also count on failures and defeats.

People can be addicted to things, like high-calorie food. But the struggle against overweight and overeating is often futile, so the unfortunates have no choice but to lose weight under the guidance of experts - and they don't mind that the conditions in the sanatorium in question are quite oppressive and humiliating. Although, with a lot of good will, one could detect some metaphorical elements, the bitter comedy, reveling in naive stylisation, ultimately wants to be nothing more than an entertaining piece of work.