Kōtarō Bandō

Japan, 1159. Moritō, a brave samurai, performs a heroic act by rescuing the lovely Kesa during a violent uprising. Moritō falls in love with her, but becomes distraught when he finds out that she is married.

Itarō abandons his life as a hatamoto to become a yakuza.

A family is brutally murdered in their own home and the official government's sake dealer is framed as a rebel by a corrupt member of the Shogun's Council of Elders. Young Lord decides to take on the Shogun's vile chief attendant.

Genji, the illegitimate offspring of a Japanese potentate, goes by the philosophy of "love 'em and leave 'em" as a matter of course. Only when his heart is broken by Awaji does Genji realizes how much pain he himself has caused.

1960 Toei film

A tale of love and tears that blossomed in the shadow of the Seinan War.

An adaptation of the famous 16th century novel, Journey to the West.

Utamaro, a great artist, lives to create portraits of beautiful women, and the Tokyo brothels provide his models. A world of passion swirls around him, as the women vie for lovers, and, occasionally, his art gets him into trouble.

A samurai plots to reclaim his estranged wife after she leaves him over a murder scandal. When her sister falls victim to a scheme, he and his friend manipulate events, but their plans lead to supernatural vengeance.

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

At the crowded Komatsuya in Kawadome, travellers are holding a secret art contest to relieve boredom. However, a thief goes around. During the sudden commotion, a young man called Gentaro begins to perform magic tricks. This magic trick brings out the lost wallets of the travellers one after another. Even the thief himself, Shinzo, is surprised by this trick. Gentaro hears that Okinu, daughter of Kutsukake Jinbei, is looking for Eijiro, the young boss of Omaeda. Gentaro arrives and introduces himself as Eijiro Omaeda. He moves to Kichibei's family in Sakamoto-juku where he meets Okinu's father who needs help.

A woman loses her son through an evil conspiracy and commits suicide. Shortly afterwards a ghost cat begins haunting the conspirators. This is Takako Irie's first bakeneko (ghost cat) movie; it started a Daiei cycle which was very popular at the time in Japan.

The stormy tale of the Shinsengumi is told from its birth by master filmmaker Sasaki Yasushi, with an all-star cast based on the original story by Shirai Kyoji. The battles between the royalists and Shogunate supporters come to a fever pitch during the Gion Festival as the exclusionists plot to burn Kyoto and kidnap the Emperor. From its earliest beginnings as a group of ronin brought from Edo to protect the Shogun when he is in Kyoto to see His Imperial Highness, the group had to face difficulties both from within and without. Commander Serizawa Kamo's corrupt practices threaten the group's very existence, as they try to recover from the bad reputation he left them with. Their redemption comes when they learn of Katsura Kogoro plans to gather men at Kyoto's Ikedaya Inn for his attack on the city. Along with Hijikata Toshizo and Okita Soji, Kondo leads the group in an attempt to save Japan from the rebels.

A historical film that portrays the fervent and violent actions of young Army and Navy officers, such as the February 26 and May 15 incidents, in a semi-documentary style.

A kindhearted wandering gambler named Hajiro gets involved in a crisis of a village as he passes through and decides to lend a sword in hopes to rescue them.

In 1941, overpopulated Japan faces an economic boycott and its armed forces push further to the south. And despite negotiations between Japan and the U. S. A. war is declared with the attack on Pearl Harbour. Victories follow for Japan on land and sea and her forces push forward to the borders of India. But gradually the tide turns in favour of the Allies and after the atom bombings of Hiroshima and Nagasaki, Japan is compelled to accept the Potsdam Declaration and by the order of the Emperor agrees to unconditional surrender. Under the supervision of the occupation forces the International Military Tribunal opens in Tokyo to try the Japanese war leaders. Established in the cause of justice, and to prevent future aggressive wars the trials drag on for two and a half years. And on December 23, 1948, General Tojo and six other war leaders mount the thirteen steps to the gallows at Tokyo's Sugamo prison.

Evil wizards and ninjutsu black magic cloud the land as the legendary Sanada Yukimura tries to defend Osaka Castle from Tokugawa Ieyasu’s tightening noose. Can Sarutobi Sasuke and Saizo the Mist level the playing field with their own ninjutsu skills? This rousing gem in the plucky swashbuckling ninja magician vein is full of familiar historical and shinobi genre names, plus rarer characters like a lady wizard and a female samurai love interest. Satomi Kotaro and Yamashiro Shingo star in what was one of the last bastions of this type of ninja movie before the Shinobi-no-Mono inspired 60s craze redefined the genre.

Bored Hatamoto movie #29