Vincenzo Marra

María is eighteen years old, she lives with her mother in an old house in Buenos Aires in 1978, subletting rooms and giving classes to poor illiterate adults. Suddenly she is abducted by a military squad and finds herself accused of subversion and submitted to torture in the hideous underground of the Garage Olimpo, while her mother desperately tries to find her.

Tough, gripping drama about a committed, principled priest taking on the Mafia and risking his life in a poverty-stricken parish in Naples.

A civil servant (Michele Lastella) uses shady methods to become a powerful businessman.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

Bartholomeo, sports attorney, lives on gimmicks and little tricks. Over the years he has wasted the many opportunities he has had, the vice of gambling has made him lose money and family and now he spends his days in the suburbs hoping to find the new Maradona. Always looking for a stroke of luck, one day he receives a phone call: in Uruguay there is a young boy, Pablito, who is a real phenomenon…

Acclaimed documentarist Vincenzo Marra's work This Session Is Open constitutes an exercise in cinema direct filmmaking at its purest. Sans narration or any discernible viewpoint, the picture remains stringently objective in its inside portrayal of an Italian courtroom, during the assassination trial of a mafia unit called the 'Neapolitan Camorra.'

Life of an apartment block administrator in Naples.

Sardinia 2017. The starting point for the film is one of the most loved lands in the Mediterranean, using it to enter into the world of cinema. Ten international masters of cinema explain Fiorenzo Serra's images, one of the greatest post-war Italian documentary makers. His masterpiece, "The last punch of Earth", will be analyzed and debated, a film which examined Italian change and European reflection.

A group of actors meet with little money in a unofficial theatre in Naples' Spanish Boroughs. Director's plan is to travel to Sarajevo, still under siege, to stage a classic Eschilus' play about civil war in Tebe. While they rehearse in the theatre cast members come and go and another kind of war goes on every day in nearby streets of old Naples.

Four Neapolitan and a Tunisian fishermen risk their lives by fishing in waters not far from Sicily. Before long, the camorra learns of their actions, and their licenses to fish the local waters are revoked. With nowhere to turn, they head back to North African waters, but the behavior of one member of the crew starts to endanger the others on board. The partially improvised dialogue by the cast of mostly untrained actors is delivered in the local Neapolitan dialect, which lends great authenticity to the story.

Marco, a cynical and ambitious young lawyer, lives in Bari with his partner Martina and their eight-year-old son Mateo. Martina had left Chile and moved to Italy when she met Marco. Their relationship has run its course, however, and Martina longs to go back to her country with Mateo, but Marco, the loving father left out of the equation, is adamantly against the idea. The couple clash for weeks on end, until Martina abruptly leaves the country with their son, goes back to Chile and virtually vanishes. With no news of Mateo, time seems to stand still for Marco. Anguished and unable to cope, he finally rallies and sets off in search of his son.

Raffaele is 29 years old and has twin brothers. He was sent to prison at the age of 15 for a bank robbery and has been living in a cell for 12 consecutive years. In Secondigliano, he shares it with Gennaro, who is the same age and has been sentenced to life imprisonment. Chief Inspector Domenico works in the prison and is trying, often successfully, to establish a relationship with the inmates that goes beyond the stereotypical guard/prisoner dynamic.

Vento Di Terra (wind of the earth) is an Italian film about an 18 year old boy (Vicenzo Pacilli) from a poor suburb of Napoli, Italy who finds himself burdened by expectations of supporting his mother after his father dies from an unexpected heart attack. Working in a blue-collar factory job, Vince soon finds that he does not have enough money to support himself, let alone his frail recently widowed mother. His sister departs to Cassano to finally end her employment drought by getting a job in the local FIAT factory. Vince is left alone to support his mother. He gets involved in a heist, and then out of guilt confesses his sin to a close family friend, who suggests he joins the Italian army. In the army Vince meets a new found friend through his training period, and they are soon deployed together to the war torn state of Kosovo in the Former Yugoslavia, where he is exposed to the brutality of war.