Jean-François Mercier

Paul Bougon ignites social media networks and public opinion after his brief participation in a television program. Having become an instant celebrity thanks to his outspokenness, he decides to go into politics and founds his own party. With the help of his devoted entourage and at the head of the PEN (Parti de l’Écœurement National) [National Disgust Party], he wins the elections and becomes Premier. The challenges of his new career place him in front of heartbreaking choices.

Subtle, sensitive and touching? Probably! Serene? Not quite. Hilarious? Absolutely! Jean-François is getting older and experience forces him to evolve. He is now aware of his own fragility. Jean-François Mercier seduces his audience with the vehemence that we know him to be. True to himself, he remains bold and sexy, while being more thoughtful. How to say? From now on, Jean-François turns his tongue seven times in your mouth before speaking.

Talk show host Marc Morin is at a crossroads in his career and in his personal life. The ratings of his show are failing and he is losing touch with his family. In an effort to regain the love and respect of his audience, Marc’s agent decides to send him, against his will, on a humanitarian mission to Haiti. Nothing can prepare Marc for the journey on which he is about to embark.

Kanah D’ha est une saga comique de 85 minutes mettant en vedette le comédien Réal Béland dans un rôle de composition inédit, celui d’un Canadien né dans le corps d'un Indien des Indes. Kanah D’ha, le personnage principal, est devenu une star en Inde en interprétant de façon spontanée quelques-uns des grands succès de la chanson québécoise. C’est toutefois à la suite d’une erreur de jugement que notre personnage principal se fait chasser de son pays d’origine et décide d’immigrer au Canada. L’entrée au pays s’avère plus difficile que prévue...

A depressed rock star, maimed in an accident, is encouraged by his manager to start a new worldwide trend.

Renowned for his precision and corrosive humor, Guillaume Wagner boldly tackles subjects such as homophobia, the evolution of our collective rituals and superficiality. Without falling into cynicism, he skillfully laughs at our individual and collective failings, without forgetting to include himself in the process. Winner of three prestigious awards for emerging artists, he has won over an already loyal audience that has been eagerly awaiting this very first show. As he says himself, Cinglant is a show for everyone, but not for everyone.