Hilla Vidor

A miraculous conception. A merciless king. A murderous pursuit. Mary's journey to give birth to Jesus unfolds in this biblical coming-of-age epic.

On a tramway that connects several of Jerusalem's neighborhoods from East to West, a mosaic of people from different religious and ethnic backgrounds are brought together.

Sea, sun, island, a family on vacation. And all Yuval wants is to get the heck out of there.

amara, a successful career woman, lives in a world of high expectations and perfect performances. When she gives birth to her first daughter, the change shakes her world, altering the power dynamics in Tamara and her husband's marriage and sex life. While she struggles to maintain her place at work, their intimacy becomes more and more demanding. But Tamara continues the race, crossing her own boundaries again and again. She is torn between her many roles-as a motherwife, and career woman. When her home becomes a battlefield, Tamara realizes she is a queen trapped in her own castle.

A day before his wedding, Shai visits Tamar, his ex-girlfriend, for a tempestuous encounter prior to becoming established. Tamar leaves him a hickey, entangling the situation.

Vicky (Angelica Vale) travels to Israel dressed as a nun to find her estranged husband, who is an illegal salsa dancing teacher in Tel Aviv. On her way there she meets Yoni (Angel Bonanni), a shy University professor who helps her go through Israeli customs.

Now that Itzhak's father is in a coma, and dying, Itzhak is finally willing to visit him, thus breaking a ten-year silence. During his visits to the hospital, Itzhak, a beaten and reserved man, is frustrated to find himself neglected by his own family: his wife, a long suppressed artist whose life's dream is fulfilled that same week; his twenty-seven-year-old son - a "philosopher" still living at home; and his twenty-five-year-old daughter - a tormented lesbian who has had no contact with her family for a long time. Itzhak doesn't realize, though, that his ten year old daughter, Didush, neglected and almost invisible to her family, is secretly visiting her grandfather whom she has never met previously and sets out to discover the old family secret.

Gitai pays homage to Albert Camus and explores the return to Palestinian villages while interjecting texts by Izhar Smilansky, Emile Habibi, Mahmoud Darwish, and Amira Hass.

Amir and Eliyahu, two teens living on the outskirts of Jerusalem, try to survive in a world of adult neglect. An unusual encounter on Passover Eve leads them on an unexpected journey.

In a small village, Hagar Erlich is somewhat of an alien, unable to find her place in the town community and in her own life as a newlywed. In the ruins of an enchanted, abandoned village she will find her secret hideaway.

After a long night, Bashir returns home from work to find his Jewish girlfriend Karin with an unexpected baby in her arms. “We’re a family now,” she tells him, "and we'll never be apart". Bashir is torn between his will to devotionally support his girlfriend and doing the right thing by returning the baby to his mother, a foreign worker who left her child under the threat of being deported from Israel. A decision is made and the couple sets-out on a runaway journey with the baby wrapped in a blanket. As they escape the police, Bashir does his best to look after and protect both Karin and the baby, but he knows the end is near and every solution will have dire consequence. Being an Arab-Israeli with a Jewish girlfriend makes him the “usual suspect”. In the background of social and political topics such as Arabs, Jews and foreign workers, a tender love story is revealed and a delicate family is formed…

The night before a high profile operation on the PM, the surgeon due to perform the procedure is surprised at her family home by four masked men. The gang quickly take control of her and her family and order her to kill the PM.