Julio Ahuet

Acting

Julio Ahuet

Born July 1, 1908 · Juchitán, Oaxaca, Mexico

Died November 2, 1975 · aged 67

Julio Ahuet Adas (Juchitán, Oaxaca, July 1, 1908 – Monterrey, Nuevo León, November 2, 1975) was a Mexican film actor. He appeared in more than one hundred and thirty films during his career.

Known For

We the PoorWe the Poor · 1948
We the Poor
★ 8.21948
MovieDrama
Carpenter Pepe El Toro lives peacefully with his daughter Chachita in an impoverished Mexico City neighborhood. He pursues a romance with the pretty Celia, but tragedy comes knocking on his door when he is falsely accused of having perpetrated a felony.
Me he de comer esa tunaMe he de comer esa tuna · 1945
Me he de comer esa tuna
★ 6.21945
Movie
In rural Mexico, a young man competes with his best school friend for the love of a girl whose marriage has been arranged by her parents.
The CircusThe Circus · 1943
The Circus
★ 7.91943
MovieComedy
A cobbler gets a job in a Circus as a janitor, recommended by the beautiful girl rider of the show. But later, he gets in trouble when he involves in dangerous acts, such as the trapeze. Obviously, our friend will risk his life by the love of his new girlfriend.
Los amores de una viudaLos amores de una viuda · 1949
Los amores de una viuda
★ 6.01949
MovieComedyDrama
A widow remarries... and then her missing-presumed-dead first husband reappears.
El SupersabioEl Supersabio · 1948
El Supersabio
★ 8.01948
MovieComedyMystery
Cantinflas is the apprentice of a renowned scientist, Prof. Arquimides Monteagudo (Carlos Martinez Baena). But Cantinflas has the soul of a poet rather than a serious researcher, and he wants to find the formula that achieves the immortality of the roses. Nevertheless, after the death of Prof. Monteagudo, Cantinflas will be chased by a ferocious corporative group, who wants to steal the secret formula of a cheaper fuel named "carburex", because they think that our friend is the only person who knows the composition
Maria CandelariaMaria Candelaria · 1944
Maria Candelaria
★ 7.31944
MovieDramaRomance
A young journalist asks an old artist about the portrait of a naked Indian woman that he has in his study. The artist tells the story of Maria Candelaria, a young Indian woman who was rejected by her own people for being the daughter of a prostitute. She is protected by a young Indian man, Lorenzo Rafael, who has fallen in love with her.
Por qué peca la mujerPor qué peca la mujer · 1952
Por qué peca la mujer
★ 5.61952
MovieDramaCrime
Working-class girl-next--door type is seduced into a high-glam lifestyle when an oily promoter helps launch her as a nightclub singer; she throws over her decent-simple-guy boyfriend and loses her moral compass.
Ahí viene Martín CoronaAhí viene Martín Corona · 1952
Ahí viene Martín Corona
★ 7.21952
MovieComedyDrama
Martin Corona, player and womanizer, defends the underprivileged, the poor and the needy. He will have to defend a Spanish girl and her servant from the clutches of the villainous of the town. Not only will he have to fight the bad guy, but against the pride of the girl who initially believes that he is the bad character and distrusts him. She was very proud to put him at her feet, but there was a problem, Martin Corona was due more to his people than anyone and she was not willing to risk losing it, so before marrying him, made him swear he would not intervene In other problems.

Filmography

Sort
Yo quiero ser malaYo quiero ser mala · 1950
Yo quiero ser mala
★ 6.41950
MovieRomanceComedy
In this Romantic-Comedy from Director Rene Cardona, Actress Maria Elena Marques plays a hard-living woman named Leticia, who suffers from a recently broken heart after being deceived by her ex-boyfriend. Soured on anything to do with love and while drinking away her sorrows, she sets out to marry the very first man she sees. This man just happens to be a nice guy named Roberto, (Abel Salazar). Although the pair's mutual attraction to each other is obvious, Roberto has no idea what he is in for, and he soon proposes. Not long after the marriage, Leticia starts to take advantage of both Roberto and her new Father-in-Law (played by Oscar Pulido), who shows kindness towards the girl. Predictably, marital bliss soon turns into discord, and the couple agree to divorce after a year passes. Their love-hate relationship and pending break-up provides a perfect backdrop for several comedic situations before the two realize that they are actually in love.

Cárpelo (uncredited)