T. R. Ramachandran

A classical bharatanatyam dancer and a nathaswaram player fall in love against the wishes of her family.

Punar Janmam (Rebirth) is a 1961 Indian Tamil-language drama film directed by R. S. Mani. The film stars Sivaji Ganesan, Padmini, Ragini and P. Kannamba in lead roles. The film, produced by N. S. Diraviyam under Vijaya Films banner, had musical score by T. Chalapathi Rao and was released on 21 April 1961.

Mannaru falls in love with his neighbour, Leela, who is a skilled dancer and singer. Realising that he could woo Leela through music, Mannaru seeks help from his musically talented friend.

Valli, a tribal girl falls in love with Muruga. But Muruga plays mind games with her and troubles her. Will they get united?

Meenakshi, an unwed mother, leaves her baby in Nathan’s car after her lover, Moorthy, abandons her. Though Nathan takes care of the child, his girlfriend, Mohana, becomes suspicious of him.

The bank manager gets into trouble when his old friend dies in the scuffle while trying to rob his money. He runs for cover and ends up in a drama troupe.

After losing his entire wealth to a courtesan, Kovalan returns to his wife, Kannagi. She offers him her last piece of jewellery to help him but he is falsely accused of theft and beheaded by the king.

Chandrasekaran, an industrialist, is very successful in his business and has a loving family. His three sons and two daughters live happily as one family. He brings up an orphan, Rangan (Sivaji Ganesan), who is utterly devoted to the family. Calamity strikes the family in the form of loss in business. The last daughter's marriage gets cancelled. The brothers and their wives ill-treat their parents and Rangan and his wife. Seeing this Chandrasekaran has no choice to ask Rangan and his wife leave their house. Aftermath Chandrasekaran dies a broken-hearted man leaving his wife and youngest daughter to be in their children's merciless hospitality. Rangan, with his simplicity and pure-hardheartedness, takes it upon himself to look after the mother and sister. In the end, he proves that love and affection is the greatest wealth.

A rich, happy-go-lucky young man lives with his faithful man-servant. The young man gets married to a well-to-do woman who is more educated than him, and she changes him to a more responsible person

Adithan, the emperor of Azhagapuri, marries Kumutha, who is the maid of Princess Nandini. Enraged by the same, the princess vows to destroy Kumutha's life and capture the kingdom.

Nirmala (Padmini) is a poor but talented young dancer who falls in love with a rich man's son Sekar (Gemini Ganesan), but he is forced to marry a rich man's daughter Prathiba (Tambaram Lalitha). Nirmala promises to her lover that she will never dance in public. Due to various circumstances, Sekar's house is up for auction, and in order to save him, she performs in public. With the money thus earned, she saves his house, but Sekar is unaware of this. When he learns the truth, he begins searching of her, and in the meantime, Prathiba, who is now reformed, commits suicide. Sekar meets Nirmala, who is on the verge of committing suicide, and they are reunited.

A rich man decides to take a vacation after working for two years straight. However, upon arrival, he is shocked to find that his caretaker, Krishnaiah, is missing after renting his Shimla bungalow.

Thanigachalam manages to save Meena from committing suicide. Meena reminds him of his late daughter Uma. Later, Meena tries her best to console Saker who is mourning Uma's death.

A Tamil version of Mary Shelly's Frankenstein.

A crooked wealthy man has cheated a gullible poor woman and meanwhile an aristocratic self-possessed woman is being flirted by a responsible officer, an ideal for modern India in this "social guidance picture".

Puthisaligal is directed by T.P. Arjun. Puthisaligal stars Jaishankar in the title role along with Ramachandran T.r., K.a. Thangavelu, O.a.k. Devar, Aachi Manorama, Sachu and Thengai Srinivasan in supporting roles.

AVM Rajan the protagonist lives in a joint family is an easy going guy. Unfortunately AVM Rajan's father loses his eyesight in an accident and family struggles financially to run daily life. AVM Rajan joins for job and meets Vanishree.

Poori (Daisy Irani) does not know who his parents are, and has been looking high and low to get back to them. Seated in a park bench beside Sundararajan (Gemini Ganesan), Poori asks his name and as soon as he replies, he proclaims that Sundararajan is his father. This creates complications in Sundararajan’s life and ruins his plans of marrying his lover Latha (Savithri). The president of a hospital for the mentally ill with a not-so-mentally-strong daughter creates more problems for the hero. After many interesting twists and turns, the truth emerges — Poori is the illegitimate child of a soldier (Mustafa) and the abandoned mother commits suicide, leaving the child behind. Sundararajan ro and Latha are so attracted to Poori that they decide to adopt him.

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

Chandru steals a diamond necklace to help his sister unite with her husband but things do not go well when he decides to replace the stolen one with a new necklace.

Arivaali (Genius) is a 1963 Tamil language drama film written, produced and directed by A. T. Krishnaswami. The film features Sivaji Ganesan and P. Bhanumathi in lead roles. The film, had musical score by S. V. Venkatraman and was released on 1 March 1963.

In the quiet village of Poonkulam, Kalyani and Muthayyan are deeply in love. But fate takes a cruel turn when Muthayyan is wrongfully branded a dacoit and forced to live in hiding within the forest. Despite the danger and distance, Kalyani remains unwavering in her love, and the two dream of escaping together to build a peaceful life as husband and wife. Their hopes rest on the shoulders of Kamalapathi, a loyal friend and stage actor, who devises a clever plan to outwit the police and help the lovers flee. Disguises, deception, and devotion all come into play—but a tragic misunderstanding sets off a chain of events that none of them could have foreseen.