Paul Gemignani

Mary Poppins returns to the Banks family and helps them evade grave dangers by taking them on magical, musical adventures.

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

An account of the revolutionary years of the legendary American journalist John Reed, who shared his adventurous professional life with his radical commitment to the socialist revolution in Russia, his dream of spreading its principles among the members of the American working class, and his troubled romantic relationship with the writer Louise Bryant.

This darkly satirical musical reframes American history through the eyes of those who attempted – successfully or not – to kill US presidents. Structured as a surreal carnival sideshow, the piece weaponises American musical traditions – vaudeville, folk ballads, barbershop quartets, patriotic Sousa-style marches and Bacharach pop – to undercut the myth of the “American Dream,” exposing how frustration, alienation and entitlement can curdle into violence.

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.

In 1853 Japan, the story follows the Westernization of Japan, mainly through the story of Kayama, a samurai, and Manjiro, a fisherman. The lives of both men are radically changed by the coming of American ships to Japan.

This darkly satirical musical reframes American history through the eyes of those who attempted – successfully or not – to kill US presidents. Structured as a surreal carnival sideshow, the piece weaponises American musical traditions – vaudeville, folk ballads, barbershop quartets, patriotic Sousa-style marches and Bacharach pop – to undercut the myth of the “American Dream,” exposing how frustration, alienation and entitlement can curdle into violence. By giving voice to figures from John Wilkes Booth to Lee Harvey Oswald, Assassins invites audiences not to condone their acts but to confront the unsettling continuity between personal disillusionment and national mythology, turning the musical stage into a mirror for America’s darkest obsessions.