Inga-Lill Åhström

A suicidal factory girl, just out of reformatory school and anxious to escape her overbearing mother, falls in love with a sailor who can't forgive her past.

City girl Emma marries the farmer Nicklas but gets involved in a love triangle with his brother Ragnar.

A fractured portrait of desire and isolation, following a failing marriage and parallel stories of emotional entrapment as memories surface during a train journey through postwar Europe. Told through flashbacks and multiple narrative threads, the film signals Ingmar Bergman’s emerging mature style.

Gunnar Gawell is mason on a building but also a very good football player. He gets a chance to play for the the national team against Denmark. Gunnar is offered a bribe if he allows the Danish team to win the match.

In 1981, after the successful test of a submarine tracker device developed by the Swedish scientist Paul Mandell and sponsored by the US government through his representative Miller, his industry is totally burned and the laser device is stolen. Stig Larsson from the Swedish Secret Agency suspects of an inside job and brings the Swedish Marine Thomas Kallin to investigate Paul undercover as his driver. The naive Kallin is double-crossed but continues his investigation while Larsson finds the truth about the heist.

"How crazy!" A man and a woman watch episodes from Nils Poppe movies outside a cinema Maxim in Stockholm. Poppe represents, among other things, a poor composer who vainly tries to get a tune adopted by a publisher. The failure makes him depressed, but he is living it up by meeting a good friend Calle, who invites him home. Poppe stays for a few days as a male housewife. Calle has a music store and there the two friends can go crazy among all the instruments.

Gertrud is being abandoned by her husband after 20 years of marriage. Offended and unhappy she leaves her home and rents a room. The landlady's son is drawn to her and tries to help her out of the loneliness.

A newspaper misprints Pontus Blom's (Carl-Gustaf Lindstedt) yearly income as being much more than it is; this leads to various comical situations of exceeding hilarity.