Klaus Rifbjerg

The Swedish 19th century engineer Salomon August Andrée sets out to become the first man on the north pole. His idea is to launch a polar expedition using a hydrogen balloon, together with two friends. The balloon, "The Eagle", takes off from Svalbard in 1897, but the three men are never heard from again.

The film is a window into the world of fifteen-year-old Tim, sharing his joys and sorrows and his first encounter with love, during the German occupation of Denmark in World War II.

Hans is the name of the film's driving force and central character, an arrogant and fascinating firebrand who meddles in other people's lives with great energy. His son Jesper can only escape him by getting drunk. This is not a smart move when you are a firefighter at the station where your gruff father is the boss. Jesper is kicked out of his job and his home. Shortly afterwards, the only person who loves Hans patiently and unconditionally dies: his mother, whom he calls the Angel. Hans is guilty, he falls apart, tries to kill himself, but ends up blind – and alone.

A new foreman, Huus, arrives in a sleepy Danish village, much to the delight of the unmarried women there. However, Huus becomes very friendly with Katinka and her husband, Bai, the stationmaster. Katinka, childless and in frail health, gradually falls in love with Huus, though her husband does not seem to notice. Based on the work by Herman Bang.

Renowned journalist Torgny Segerstedt declares war against Hitler as he criticizes Swedish politicians who tried to look away from the tyranny of the Nazis with the good excuse of “neutralism”. His only weapon is his pen and his life is full of gossip such as an affair with his boss’ wife, a love scandal with a secretary younger than his daughter, and the suicide of his wife. However, he continues to fight a one man battle against Hitler and the Nazi regime until his death, throwing the question “Can one person really change history?” to the audience.

The action takes place in a theater, where actor and theater director Poul Bech is shot by his co-star Eva Berthelsen in the middle of a premiere. The script says he should be shot, but not with real bullets! Everyone at the theater seems to have a reason to want him dead. However, another murder must be committed before the killer can be found.

On a day in April 1996, four stories play out in the confines of a flat in the heart of Oslo.

Being yourself – and above all your own master – that is what the film is about. After a short stay at a girls' home, Annie returns to society and has to adapt once again. It isn't long before Annie gets involved in a deadly fight and is even taken to the police station and brought before the court. Fortunately, one of the jurors takes an interest in her and offers to take care of her and give her a home. However, Annie cannot stand this home and runs away.

One Saturday evening, Trine prepares dinner for her boyfriend Hans. Unfortunately, Hans is delayed, as on his way between Frihavnen and Valby, he encounters a series of individuals whom he feels compelled to wait for in various ways. Back at the club apartment, Trine decides to transform the romantic dinner into a kitchen party for her friends.

"Modern vaudeville," where the entire story takes place at Dyrehavsbakken. In an impressionistic style, it tells the story of the waiter Mowitz, who ponders whether he loves the singer Myrna and what true love really is. He ponders too long; Myrna instead becomes engaged to the pianist Bertram, who can get her into the Circus Revue. Mowitz also takes too long to discover the singer Lillian's interest, so his friend Max snatches her up instead, while Mowitz can continue his search for the one and only.

Outside the large hotel, there is a lot of activity. It is teeming with foreigners, buses arrive and depart, and indoors the air is filled with foreign languages. But if you look more closely, you will discover that the doorman, hotel porter, waitresses, and waiters are not "real" hotel staff at all, but just students who take on extra jobs in the summer to earn money for their studies and who live in the "hotel" themselves in the winter, which is actually a student dormitory called "Egmont."

For Janus his friend Tore is his big ideal: pretty, intelligent and self-confident. Janus is grateful for his friendship even though he is considered the court jester. When Tore falls in love with the beautiful and sweet girl Helle, Janus accepts his role as their highly loved third party. Helle's fashionable mother, however, is a bit too interested in Tore. Written by Allan Simonsen

Based upon the novel "Hærværk" by Tom Kristensen about the self destructive person. The literary reviewer Ole Jastrau chooses to free himself from his well-ordered middle class life. He allow the seriously left-wing writer Steffensen move in with himself which soon causes disintegration of his home an marriage.

Four short stories from Norway, Denmark, Sweden and Finland.

Stunning photography of icy tundra does not make up for dramatic weaknesses in this average story about a brother searching for clues to the death of his sibling in a forbidding environment. Erik (Thomas Eje) is newly divorced and a depressed, despairing man who arrives in Greenland after his brother died in a hang-gliding accident. He eventually moves in with an Inuit woman Soerine (Naja Rosing Olsen) and her son Nikki, whom Erik suspects is his dead brother's child. His search and suspicions are punctuated by other subsidiary, mini-dramas, and long, sweeping vistas of the ice-bound landscape.

A group of better-off thirty-somethings meet for a weekend in Knud and Beth's home. The host couple is prone to bickering regularly. The married couples (Jan and Ilse, and Kjeld and Tove) that are visiting understand and try to stay out of the way. Bachelor Lars, however, comes into his own and is a constant source of provocative comments.

The mysterious, impoverished Count Virtus (Federspiel) realizes his dream of a life at sea, and his young servant Kent (Springborg) must endure much pain before he finds happiness.

A documentary view of the Basque ball-game in which a small hard leather ball is hit against a wall. The film gives an impression of the game itself and of those who play it, not only the star performers (and the myths that surround them), but also those who just play in the streets and alleyways. The film sees the game it its cultural context and conveys the emotions and stories that are peculiar to the Basque country.