Ole Meyer

The waitresses at a Copenhagen bar find themselves listening to and advising various clients who wander in to unburden their current problems. The Blue Monk is so named because its jukebox constantly plays music by jazz musician Thelonius Monk. ...The Blue Monk

Two Danish youngsters see action in the USSR as volunteers in a special legion under German command in 1944-45. Returned to a camp in their native country, they go AWOL, having first killed a couple of officers. They are now being chased through a wintry Denmark by the German Army, Danish Quislings and the Danish freedom fighters. Love crosses their path when they take a Jewish girl as hostage.

Young teenager Bo is too sensitive for the hothouse atmosphere of a boarding school run by a cold, unfeeling would-be man of the cloth. Lonely and scared, he finds a soulmate in the headmaster's son Kim with whom he forms a bond of friendship... that slowly grows into something more.

The boy Topper is bored. He finds a pencil that proves to have magical powers. Draw a rhino, and right away, you have a real rhino for a companion. A little heavy perhaps, when you live on the second floor. No matter, it's a modern fairy-tale of the baroque, and everything goes. Based on kiddie entertainment by Ole Lund Kirkegaard, but as was the case with the book, the fun is to be enjoyed by one and all.

Film about a pair of traveling entertainers and con-men and their problems with jobs, money and women. We follow them in a period there it goes downhill with engagements. It's hard for them to realize that entertainers of their kind are about to become extinct.

Hans is the name of the film's driving force and central character, an arrogant and fascinating firebrand who meddles in other people's lives with great energy. His son Jesper can only escape him by getting drunk. This is not a smart move when you are a firefighter at the station where your gruff father is the boss. Jesper is kicked out of his job and his home. Shortly afterwards, the only person who loves Hans patiently and unconditionally dies: his mother, whom he calls the Angel. Hans is guilty, he falls apart, tries to kill himself, but ends up blind – and alone.

A group of summer camp kids, left to their own devices when their teachers stage a strike, go on a rampage of stealing and looting. A stolen boat brings them to an uninhabited island. When their boat drifts away, the marooned kids must fend for themselves.

Kim, an ordinary 15-year-old given mostly to himself, is living with an unmarried mother in a small apartment. One day, he falls hostage in a bank robbery along with an unfamiliar girl falls, but after making ​​friends with the leader of the robbers, Kim and his new friend run away from them. Settling for a while in an empty house, teenagers fall in love.

Eleven-year old Rikke lives alone with her father, whose only interest in life seems to be the soccer matches which appear on his television. Not surprisingly, Rikke is somewhat bored. She enters a contest put on by a cereal company which has as its grand prize a horse. Since she lives in the city in a second floor apartment, it never occurred to her that she might win, but win she does. The horse ("Mama-Mia") duly appears, and she and the members of her slum neighborhood come together to cope with the situation in a delightful way.

From a working class coming-of-age novel, Morten Arnfred fashioned his feature film to recapture the feel, the sting, the pain, but also the spirit of solidarity of the 1950s in the metropolitan city of Copenhagen: at the center, young Johnny, helpless, hapless, happy, unhappy, going through the motions of growing up. Bodil awards: Best Film and Best Actor (Allan Olsen).

Knud is a farmer and dreams of running the farm together with his wife. He has both ideas and drive, but his finances are not the best.

It cannot be said that the two actors Kurt Karlsen and Valdemar Hansen are particularly successful. The audience often has to ask them to stop, and financially things are not going well either, so they have to flee from their hotel bills. In a provincial town, Professor Andersen has just died, and when the two actors arrive in town at the same time, they are mistaken for the professor and his assistant and are given accommodation at one of the town's hotels as guests of honor. Then events take a turn for the worse. A bank director, a lawyer, and a contractor are very eager to see the late professor's invention continued, as the formula was lost when the professor died. Who will win in the end? The suspicious businessmen, the two actors, or two young people who love each other? And how many times will bank assistant Johansen lose his job?

The neighbourhood is tough. New-built concrete towers, which are not yet completely finished but already slum. Daily police raids. Daily suicide jumps from the roofs. Here lives Sally in a two-bedroom, with her parents and younger brother. Sally is dreaming big. She wants to be a fighter pilot, and she wants to be rich! She has already started her own business, collecting empty bottles and bits and pieces of scraps. And Sally don't care much for the immigrants in her area. She takes every opportunity to vent her inner racist. Turkish Zuhal move in with his family. "A new flock of Bedouins" Sally condescendingly comments. But what she does not know is that this will be one of the major turning points in her life ...

In this suspenseful chase movie, a couple try to outrun both the police and the gangsters who are after them for a murder they did not commit. Suzanne dreads yet another dull weekend in the country with her rich parents but is unprepared for what lies just ahead. Leonard, an escaped convict, is in desperate need of food and a car, and Suzanne happens to be in the wrong place at the wrong time -- she ends up providing him with both and is taken with him as he makes his motorized getaway.

Rejseholdet is a Danish television crime series starring Charlotte Fich, Mads Mikkelsen and Lars Brygmann. Produced by Danmarks Radio, the program aired 32 episodes spanning four seasons from 2000 to 2004. Each episode revolved around an elite mobile police task force called "Unit One" that travels around Denmark helping local police solve crimes. Cases portrayed in the show were loosely based upon actual incidents of sensational crimes such as murders, kidnappings, cross-border sex traffic and child pornography. Rejseholdet won the 2002 International Emmy Award for best drama series.

TAXA is a Danish television drama made by Danmarks Radio with 56 episodes, written by Stig Thorsboe and produced by Rumble Hammerich. The series revolves around a small taxi central, CrownTaxi, in Copenhagen. The series was a success from the start, 14 September 1997 on DR1. The series was broadcast during the period 1997-1999 for a total of five series. CrownTaxi has its ups and downs and in the course of the series, following the various drivers, radio opertor Lizzie and boss Verner Boye-Larsen. They have all their problems both with clients and family life and constantly threaten the show's villain Hermann from the competing taxi firm, City Car, which wants to take over the CrownTaxi. TAXA was also screened in Sweden on SVT1.

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.