Margarita Alexandre

Over a hundred members of the chorus girls and dance groups from the Spanish "Sección Femenina" embark to America to show the richness of their national folklore. The girls have left parked their daily tasks to enjoy this great adventure aboard "Mount Albertia". During the trip, the relationship between the girls and the crew is very lively and in all scenarios where they perform, success always accompanies them.

Spain, 1973. Dictator Francisco Franco has ruled the country since 1939 with an iron fist; but he is now a very old and sick man. The future of the weakened regime is in danger. Admiral Carrero Blanco is his natural successor. The Basque terrorist gang ETA decides that he must die to prevent the dictatorship from continuing.

A romantic comedy set during the waning years of the Batista dictatorship. It tells the story of a young woman, Elena, and her attempts to meet with her revolutionary lover before his forced departure into exile.

A Haitian son returns from fifteen years in Cuba to find his home village afflicted with the double plague of drought and strife. A Cuban production from the director of Memories of Underdevelopment. In Spanish.

A model Cuban revolutionary tragically dies at work and, as a badge of honor, is buried with his labor card in his suit pocket. When his widow attempts to apply for his pension, the pension office demands the original labor card. Desperate, his nephew embarks on an increasingly chaotic and surreal quest through the Cuban bureaucratic system to secure permission to exhume the body, only to be met with endless forms, contradictory regulations, and apathetic officials.

Daniela – a single mother, whose boyfriend left for the US – believes wholeheartedly in Cuba's revolutionary new order. Meanwhile, in Florida, a plot is afoot. Under the command of an American officer, four Cubans ex-patriots and a Guatemalan land on the Cuban coast to prepare a US invasion of the island. Daniela's superior, the corrupt Cuban officer Palomino, is secretly helping the invaders and the young woman becomes entangled in the intrigue.

A man who lost everything in the war now smuggles contraband into and out of Spain, but the law's closing in.

Clara, determined to earn her living and be valued for herself, leaves his rich father's home, changes her name and takes a room. While copying paintings at El Prado Museum, she meets Juan, who is also hiding his identity, pursued under charge of murder.

Once the Spanish Civil War is over, the sons of the wealthy classes, who support politically and militarily the new regime, are preparing to begin their ascent in the social and economic sphere.

Rafa, a Communist Republican exiled after the Spanish Civil War, returns to his hometown to carry out an attack against the imposed tyrannical regime, but the mission fails and, in his attempt to escape, he kidnaps a lady of high society.

When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures in the 12 chairs of a dining-room set. After her death her nephew finds out what she had done and, since the chairs had been "nationalized" and are now in the possession of a dozen different people, he sets out to track them down and get the treasures he believes rightfully belong to him.

A young man arrives at Puebla de las Mujeres, a village of Andalusia with the tradition that man that arrives, man that marries there. The foreigner is going to solve some issues of interest of an aunt who lives in the village. Soon as he arrives all women mobilize, captained by the mayor, for electing bride and organize the wedding. The designated Juanita de la Rosa, does not want to participate and he laughs at the arrangements saying that he has a girlfriend in Madrid.

In a country house dedicated to breeding bulls, bound for bullfighting, a love story emerges, conditioned by social class differences.

A Dutch sailing ship finds the wreckage of a Spanish mail ship, which has collided with an iceberg. Inside, the bodies of a man and a woman are found embraced.

Peter Ward is a black singer who arrives to Madrid in 1907. He falls in love with Emma, and he offers her to be her dancer. She is restrained by her racial prejudices which will lead to an inevitable separation between them.

Cristo is the first feature film directed and produced by Margarita Alexandre and Rafael Torrecilla. Evoking the work of Luciano Emmer, this art documentary tells the story of the life of Jesus using only Spanish paintings. In close harmony with the montage, the photographic technique used by Juan Mariné for the filming gives movement to the paintings by Titian, El Greco and Rubens, while the presence of the voices of Fernando Rey, José María Seoane, María Jesús Valdés and other actors of the period give the characters a sense of entity. The film received the category of National Interest from the Censorship Board, undoubtedly more inspired by the film’s exaltation of the national artistic heritage and its religious subject matter than by its artistic aspirations.