Petar Popyordanov

A young sculptor has been preparing his first exhibition for years. In the autumn of 1962 it becomes a fact. The show provokes a scandal in the society.

In Paris, Sophie and Daneel make a solid couple. Nothing, it seems, can separate them - until the day when Sophie tells her partner she has organised a surprise trip to Bulgaria. Daneel refuses to go, but Sophie insists and soon discovers just why her soul mate was so reluctant to set foot in the country...

A young man attempts to save a prostitute from a prostitution ring. His fury is two-sided: on one hand, it is caused by the futility of honesty, on the other hand, it is caused by the triumphs of treachery.

During an imaginary actors exam, in order to choose the best, the jury utilizes immoral ways of selection – spying, making conflicts, humiliating the applicants – in short, taking advantage of its power.

The 1960s was the time of Beatles and Rolling Stones, the time of sexual revolution. These events have their echo in Bulgarian English-learning school. The school order provokes a protest of the students due to the narrow-minded teachers.

Eurydice is a singer in a group that plays in country fairs. The group is not successful and Eurydice gets convinced by a rich farmer to follow him to Athens, where he promises her that he will make her a famous singer. Things do not turn out as promised, and Eurydice returns to the band, which is very successful now, due to Orpheus, a mute clarinet player, who has joined them. The farmer comes to reclaim her by force and Eurydice gets killed in a car accident. Orpheus tries to give her life with his clarinet.

Let us imagine isolation, fear, almost generic fear, and ancient, pervasive, self-generated. This fear becomes a system. The little man, forced, struggled to maintain his minimal right, the right to survive. But today, this crushed, squeezed, almost destroyed little man stands on the border, the one that separates— or unites—the old system and the new, the world of competition, where survival is precisely through profitability, profit. Then the little man becomes the hero, the model, the hero of this almost demonological thriller.

This is a film about a famous Bulgarian wrestler who is forced by the police authorities to work for them. We see a lonely man, tortured by his consciousness, who dies without single scratch.

It's 1980. Malin is fatherless, angry, and in trouble. At 20, he's spent a year in jail for assaulting a lover of Lily, his mother. In her desk he finds a soldier's photograph and assumes he's found his father. He confronts the man, now a teacher, and gets nowhere. At home again, he mocks his mother. Finally, she tells him her grim story, from the year before his birth. We see a people's court, where Lily's parents seek justice for their grandchild to be. We follow Lily to a prison camp, to the city where she's told to inform on the only person who's been kind, to an asylum, and finally to her current poverty and loneliness. How will Malin respond to these revelations?

Middle Ages: Bulgaria is under the Ottoman Empire. Somewhere, far in the mountains, goatherd Karaivan lives with his wife and little daughter, Mariya. One day Turks burst into the house and rape the woman before the eyes of the daughter and husband. After the rape, she is killed by a raper and the girl is shocked into growing dumb. From this moment on, Karaivan is obsessed with the sole thought of taking revenge. He moves with his daughter into a cave high in the mountains, raises her as if she is a boy, trains her to fight and draw a bow. Deep in her heart, the girl has no hatred, but a craving for love. She meets a young Muslim shepherd and falls in love. The father is unable to swallow it and kills the young man.

Sofia, the 90's. Emilia's colorful group of friends are portrayed in a series of separate but intertwined stories. On its own each story peers into the life of a single downtrodden person. Viewed as a whole, they portray a common struggle of coming to terms with the uncertain world these people live in, and how it all weighs on Emilia.

Four friends and three girls spend a summer on a desolated beach, living in an abandoned hut.

There is a small frontier post. A soldier abiding by the rules of the system gradually turns into a murderer.

A small town movie theater manager is tortured by childhood trauma of having abandoned his mentally ill brother die in a fire.

Stoev, a talented architect is working in Rio de Janeiro. All along the design stages, Stoev's understanding has been that he would be going together with his assistant architect. However, the company chief secretly decides to change the terms and go instead of the assistant, threatening Stoev to cancel the whole deal if he doesn't comply. Stoev is left with the dilemma to betray a colleague and friend, or to miss the greatest opportunity in his career. When Stoev is about to choose the former, a mysterious dead body appears in his life.

A teenage girl's rebellion through drugs becomes a metaphor for the struggle between individuality and totalitarianism. Amidst the political upheaval of 1968, Sybilla (the "Countess") is sent to a girls' re-education camp when she is caught using drugs. After a failed affair and an abortion, Sybilla's drug use lands her in a mental clinic where she resists efforts to remold her personality. Based on a true story.

Just an ordinary boy from the Sofia suburbs becomes the first bulgarian undercover cop. Forced by his father when he was young to lie and cheat, Martin becomes the perfect liar. That skill, and also the hatred of the 'underworld' makes him the perfect match for a dangerous mission - to infiltrate the crime organisation of a rich and powerful businessman. While infiltrating and living in fear of being uncovered, Martin falls in love with the most inappropriate woman - Djaro's girlfriend, Suni. Just when he gains the trust of the mobsters, it appears that the real enemy is in the police. Martin is alone against all, facing difficult decisions.

The year is 1995. The Diamandie family lives in a Danube town.