Jean-Pierre Bouyxou

A gang of pirates rape the two sole survivors of a ship wreck. The violated girls are rescued by the strange inhabitants of a supposedly haunted island, where they are granted supernatural powers to strike revenge against the pirates.

Two mysterious men dressed in black and with cigarettes dangling from their mouths drop a large, presumably heavy (since it takes two to carry it) package off on a doorstep and walk away. When the home’s owner returns he drags the package inside, then goes about doing a few more activities before deciding to finally open it. Upon removing the paper, he notices it’s a large steel barrel. Using a blowtorch, he gets the lid off and sees it’s full of oily water… but rising out of the water is a nude, voluptuous, smiling woman, who immediately starts to entice the man by massaging her breasts. Naturally, being in a barrel for who knows how long, she needs to get cleaned off and hops into a bubble bath. While she’s lounging in the tub, the man gets into bed, lights a cigarette and starts to remove him clothes in anticipation. We get to see fantasies from both the man and “the fairy.” —The Bloody Pit of Horror

Lui, a struggling author with a heart condition, and his wife Elle, a retired psychiatrist, find their idyllic life shattered when Elle begins to succumb to the effects of dementia.

A mute noblewoman's vampiric heritage compels her to drain the life force from all of her lovers.

The story opens with Celestine eluding arrest with a friend as the police raid a brothel. While hiding out in the hayloft of the Count de la Braquette's estate, she meets the hayseed handyman Sébastien and the butler Malou, who reward her favors with the offer of employment. In a manner recalling Terence Stamp's effect on the household in TEOREMA, Celestine's open and relaxed attitude toward sexuality has a transformative effect on the isolated, moribund inhabitants of the mansion, imbuing them with gift of renewed life for the men and women alike, that remains even after a third act twist that forces her to betray them.

A bourgeoisie client is transformed into a mouse and cannibalized by a prostitute in flagrante delicto with the camera changing focus in time to her breathing.

The film is a modern-day telling of the Greek mythological tale of the Gorgon and was inspired by the 1964 classic Hammer Horror film of the same name and the 1981 cult classic Clash of the Titans.

The SS puts a slutty nightclub singer in charge of a train car full of prostitutes whose "services" are reserved solely for Adolf Hitler.