Silvia Collatina

After a doctor kills his mistress and himself while researching the mysterious previous owner of his Boston home, his colleague, Dr. Norman Boyle, takes over his studies and moves his family into the Boston mansion. Soon after, Boyle's young son Bob becomes plagued by visions of a young girl, who warns him of the danger within the house.

Francesca, a university researcher, moves to Liguria to study ancient 19th-century military fortifications. The site, set within the natural landscape of Monte Vello, is fascinating yet shrouded in mystery; since the 1970s, it has been linked to numerous reports of UFO sightings, accidents, and disappearances.

Tourists on a tropical island anger an island god, who turns himself into a giant alligator and stalks them.

8 comic sketches set in Italy, with 4 of the most famous European sex symbols of the 70's playing 2 roles each.

The world of dance can be brutal. The rehearsals are grueling. The competition is fierce. At the Arts for Living Centre in New York City, the best of the best are dying for a part in a major production. But only a select few will be chosen. The selection process seems to be at the hands of mysterious killer who pierces women's bare breasts with a hatpin, puncturing their hearts. Ambition and jealousy appear to be the motive, which makes everybody a suspect!

A man loses his mother to the COVID-19 pandemic. Driven to madness by grief, he embarks on a killing spree targeting anyone who breaks quarantine rules. A podcaster and a policewoman investigate the case.

A documentary concerning the violent Italian 'poliziotteschi' cinematic movement of the 1970s which, at first glance, seem to be rip-offs of American crime films like DIRTY HARRY or THE GODFATHER, but which really address Italian issues like the Sicilian Mafia and red terrorism. Perhaps even more interesting than the films themselves were the rushed methods of production (stars performing their own stunts, stealing shots, no live sound) and the bleed-over between real-life crime and movie crime.

Spaghetti westerns, giallo, mondo... are the legacy of a golden age in Italian genre filmmaking, which began in the sixties and came to an end in the eighties, but not without leaving behind a few final masterpieces. This film explores, a few decades later, what became of those filmmakers and their films. A number of the most famous survivors of Italian horror movies will help to shed light on what happened.

Set in a bleak future in which the world suffocates under the iron fist of a tyrannical regime. Driven by unyielding determination, Ken Shiro sets out on a perilous mission to find the gate to Hell and save his daughter from the Inferno.

Follow the director, Tony, as he attempts to finish his film, 'The Witches of the Sands'. As the movie takes shape, so do Tony's demons... until reality and the world of the Witches of the Sands combine.

Father Bronzi (Robert Bronzi) is a highly respected priest who is beloved by everyone in his small town. When a series of mysterious murders begins to terrorize the community, he finds himself drawn into an investigation alongside a local detective. One night, a frightened man rushes into the church seeking sanctuary, claiming he is being pursued by the police. This mysterious encounter becomes the catalyst for a terrifying chain of events that reveals dark secrets buried for decades. The story unfolds across both the past and the present, gradually connecting two timelines until they collide in a shocking conclusion.

In keeping with the “voices from the beyond the grave” motif seen in A View From a Forgotten Grave, La Fleur du Diable, etc. Sidd Web Productions brings a similar experimental horror art film sans actors — La Ragazza con il Cappello Rosso (The Girl in the Red Hat.) While this very short work was inspired by Pierre-Auguste Renoir’s painting The Two Sisters (On the Terrace,) the film is not so much narrative driven as much as it is an exercise in atmosphere. Features voiceover by Italian cinema veteran Silvia Collatina (Lucio Fulci’s House by the Cemetery, Sergio Martino’s The Great Alligator.) A secondary purpose of the film is to document the largely forgotten (and empty) Bickley Crypt in Bensalem, PA.