Nell O'Day

Petty con artists Slicker Smith and Herbie Brown mistakenly join the Army evading the cops. The cop chasing them winds up as their drill instructor. A rich young man and his former working class chauffeur are not only in the same unit, they're vying for a pretty girl who seems attracted to both.

Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.

A large-scale revue musical built around Paul Whiteman and his orchestra, presenting a series of musical performances, sketches, and staged tableaux in early two-color Technicolor, emblematic of Hollywood’s early sound-era “all-star” musical productions.

A nine-year-old Elizabeth Taylor made her film debut in this lively comedy. She plays the spoiled-brat daughter of a pudding manufacturer who has been entered into the town's mayoral race by some of the local businessmen. They have chosen him because they think he is easy to manipulate. As a sales gimmick, the pudding magnate advertises that his product contains the highly nutritious "Vitamin Z." He suddenly begins selling pudding like crazy and soon his political campaign is well-funded. Unfortunately, there is no "Vitamin Z" and when this is discovered, the town fathers try to dump him and show that he is a fake.

A family man becomes innocently involved in an embezzlement.

A detective investigates the mysterious death of a young actress.

Sergeant MacLane of the Mounties investigates the disruptive activities of a bunch of troublemakers.

In turn-of-the-century Cincinnati, vibrant shop girl Ray Smith falls in love with banker Walter Saxel, who is engaged to a socially prominent woman. Inadvertently prevented from running away with Walter, Ray remains single but reunites with him five years later. Despite Walter being married and having a son, Ray becomes his mistress, and over the years suffers social ostracism and long stretches of solitude while waiting for their brief interludes together.

A recently released prisoner lives alone in his cabin so that his bad temper won't get him back in any more trouble, but his peaceful existence is disrupted when a mysterious woman arrives.

The Texas Rangers round up rustlers by masquerading as the same. Trouble ensues when while in disguise one of the Rangers is accused of a killing.

An inventor and his bride get testy in the city as they try to make ends meet.

A young mining engineer sets out to catch the killers of both his brother and a beautiful young girl's father.

The Wolverine Kid kills a man and it looks like Steve Howard did it. But Steve's father recognizes the bullet as coming from the gun owned by the Kid.

The beautiful owner of a silver mine in Mexico asks an employee for help when bandits keep robbing her shipments.

In this western, the Three Mesquiteers team up with a Texas Ranger to round up the outlaws who forced the ranger's younger brother into becoming a criminal.

Gambler/racketeer "Knucks" McGloin takes note of just how much money and action (aside from the game itself) takes place around and about the annual Rose Bowl football game, and decides this is one sweet proposition and could be even sweeter if one had his own college and football game and had a large say beforehand as to the outcome of any game this team had. So he ups and creates his own college---Carnasie after his own neighborhood. His gangster rival. Gilatti, thinks this give McGloin a definite inside advantage and, if there is one thing a gambler can't abide, it is that someone has an inside advantage and they are not that someone. Gilatti gets himself a college football team. Education marches on.

A lawman sets out to disrupt the operations of a crooked town boss.

A young girl gets involved with a crowd that smokes marijuana, drinks and has sex. She winds up an alcoholic, pregnant drug addict and is forced to get an abortion.

In one of his better early Westerns, Tim Holt, as Deputy Marshal Larry Durant, is sent to Spencerville where a gang of vigilantes has been terrorizing the citizenry. Going undercover as a gunsmith, Larry quickly learns that the leader of the vigilantes, John Spencer (John Elliott), is an honest man who only seeks to establish law and order. The real brains behind the crimes, meanwhile, are revealed to be Spencer's brother-in-law, Lou Harmon (Roy Barcroft), and his chief henchman, Leighton (Charles King), who speculate in the coming of the railroad by forcing the townspeople to relinquish their land.

In this exciting western, Roaring Dan is the meanest old cuss around. He and his "son" are constantly bickering. But things are not as they seem as the young man is only pretending to be Dan's son so they can find the killers of the young man's real father. Among the guilty are two women.

Bill Ralston arrives in town planning to settle down but quickly gets caught up in the fight between the townspeople and Poe Daggett and his gang. He takes the job of town Marshal and soon brings law and order. When Daggetts men ambush him he kills Poe's brother. Poe then kills Bill's friend Brant and this leads to the showdown.

Harry is down and out. A woman friend from a temperance union loans him a buck. He goes to a bar and orders a glass of milk to get a free sandwich. After he loses the greenback, the burly saloon keeper confiscates Harry's sandwich and tells him to sweep the floor to pay his tab. In the back room is a boxing ring where the owner stages fights. By happenstance, Harry ends up in the ring. Outside, the temperance union pickets the saloon. Between the beer and the boxing, can Harry stay on his feet and help his crusading friend?

Saved from a lynching party by a pair of young women, an itinerant cowpuncher signs on as a stagecoach guard to protect a shipment of gold.

After Smoke wins the Blake ranch in a poker game, Blake commits suicide and Smoke deeds the ranch to Blake’s young daughter. But the Sheriff is after the ranch and has Smoke arrested for the murder of Blake and then brings in an impostor to pose as the girl’s relative.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.