Anthony Roth Costanzo

Composer Steven Lauddem is plagued by a creative block which leaves him unable to finish the score for his big comeback opera. When his former therapist-turned-wife Patricia suggests he rekindle his creativity by getting lost in the city, Steven sets out in search of inspiration. His epiphany comes after he meets a spirited woman named Katrina and discovers his life has much more potential than he bargained for, or ever could have imagined.

After 10 years and two children together, Philippe and Marion, finally decide to take a honeymoon Holiday in Venice. At the train station, a abandoned bag filled with money will bring them to a different journey. A journey of doubt where reality never quite lies where it seems, leading from separation to reconciliation.

Two mystical beings emerge from the scenery, embarking on a journey through Gallup— Na'nízhoozhí in the Navajo language— before melting back into the desert at nightfall.

This fictionalized story, based on the family life of writer James Jones, is an emotional slice-of-life story. Jones is portrayed here as Bill Willis, a former war hero turned author who combats alcoholism and is starting to experience health problems. Living in France with his wife, daughter, and an adopted son, the family travels an unconventional road which casts them as outsiders to others. Preaching a sexual freedom, his daughter's sexual discovery begins at an early age and betrays her when the family moves to Hanover in America. Her overt sexuality clashes with the values of her teenage American peers and gives her a problematic reputation. Meanwhile, her brooding brother copes with his own interior pain regarding his past, only comfortable communicating within the domestic space.

A kaleidoscopic collection of musical genres, Myths and Hymns explores the nature of faith and longing in a secular world, with 23 short musical films illuminating the search for answers through Flight, Work, Love, and Faith.

“An exhilarating success, a brilliant presentation of Ligeti's commanding score and a disarming production.” This was the verdict of the New York Times after three sold-out performances of György Ligeti's opera “Le Grand Macabre”, with which Alan Gilbert, in collaboration with director Doug Fitch, brought this milestone of modern music theater to New York for the first time in May 2010. For the Hamburg International Music Festival - which focuses on Ligeti's music - the NDR Elbphilharmonie Orchestra is now bringing the highly acclaimed production to Hamburg in a version adapted for the Elbphilharmonie. “Le Grand Macabre” is a grotesque parable on the downfall of humanity, ‘an opera about the existential crisis in the modern world, about the search for the meaning of life - with all its nonsense and craziness’, states Alan Gilbert. It is no coincidence that this pitch-black musical theater spectacle is the most frequently performed contemporary opera in the world.

Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.

Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.