Merata Mita

Boy, an 11-year-old child and devout Michael Jackson fan who lives on the east coast of New Zealand in 1984, gets a chance to know his absentee criminal father, who has returned to find a bag of money he buried years ago.

In New Zealand in the 1860s the native Māori people fought the British colonials to keep the land guaranteed to them by treaty. The warrior Te Wheke fights for the British until betrayal leads him to seek utu (revenge). The settler Williamson in turn seeks revenge after Te Wheke attacks his homestead. Meanwhile Wiremu, an officer for the British, seems to think that resistance is futile.

Spooked is a contemporary conspiracy thriller arising from the mysterious death of Kevin Jones, who thought he was just buying second-hand computers, until he looked at the data left on the discs. Was kevin murdered or did he simply get drunk and crash his car? Investigating journalist Mort Whitman says he will find out, even if it kills him. The film is based on material from the book 'The Paradise Conspiracy' by Ian Wishart.

Saving Grace - Te Whakarauora Tangata is the final work of director Merata Mita, who passed away suddenly before the film could be completed. The film addresses some of the deepest and most distressing issues Māori communities face, and shows how extraordinary creative solutions are being provided by Māori communities themselves. Mita asks Maori men to front up to some grim realities by talking openly and honestly about the violence and abuse that has plagued their communities for many years. The film is a personal response to this violence, with Mita making a case for a return to an older model of Maori manhood, when men were the ones who sweetly sang the children to sleep. “Merata intended the documentary to count in ways that mattered deeply to her and to change perceptions of abuse and violence by using themes of responsibility, redemption, revitalisation, forgiveness and, most of all, love.” - Carol Hirschfeld, Māori Television.

Ralph Hotere (Te Aupōuri) is regarded as one of New Zealand's greatest artists. This documentary by Merata Mita provides a perspective on his world, largely by way of framing his extensive body of work. Hotere remains famously tight-lipped throughout, but there are interviews with artists, friends and commentators, alongside scenes of Hotere working and of his contemporary home context. Mita's impressionistic film is set to a Hirini Melbourne-directed score of jazz, Māori and pop songs, and poetry reading by Hotere's first wife Cilla McQueen.

Rewi Rapana returns to the small country town of Te Mata after his family has left the district. His arrival rekindles old tensions as well as renewing family ties. He is seeking an identity and a permanent place to call home yet desperately hiding a secret from his past. Oddly enough there is one person with whom he finds peace of mind. She is an old woman known as Kara. A special relationship develops between Rewi, Kara and Kara’s great granddaughter Awatea.

Coming of age story about Viki a young pacific islander attempting to escape the stifling conformity of island culture. Inspired by the myth of the Warrior Woman, Viki recovers from the death of her father and fights for justice and freedom for her community.

With the resurgence of taonga pūoro, one musical instrument remains conspicuously absent from Māori music —pahū (drum). In this documentary Te Pahū, composer Hirini Melbourne (ONZM) and ethnologist Te Warena Taua trace the history of pahū, from musical accompaniment to being the manawa (heart) of communication and communities. Musicians and carvers bring to life the lost beat of pahū by creating a version using modern techniques. Pioneering Māori filmmaker Merata Mita (Patu!) directed Te Pahū, while Rawiri Paratene (Whale Rider) co-wrote and produced it.