Kishore Kadam

"Andha Yug"—literally 'Age of Blindness'—is an allegorical play written in the aftermath of the Partition of India by Shri Dharamvir Bharti. Rooted in the epic Mahabharata, this landmark 1989 Delhi performance was staged for the Nehru Shatabdi Samaroh Festival and has since been preserved by the Natya Shodh Sansthan, Kolkata (NSS). Set on the final day of the Kurukshetra war, the narrative chronicles the end of the Dvapara Yuga and the immediate descent into the dark Kali Yuga, triggered by Lord Krishna's demise. This five-act masterpiece explores the moral collapse, cycles of revenge, and psychological trauma of war. It depicts the pyrrhic reality of the Kali Yuga—the worst, shortest, and darkest of the four cosmic ages—in which recursive violence degrades the fabric of civilization, blinding individuals to reason as they are forced to reckon with the devastation's fallout.

Suman, a newly-wedded wife in Maharashtra's Gondhal rituals, conspires with Gondhali Saheba to kill her husband, Anand. They plan to carry out an escape that jeopardises her soul amid drum-driven ritual and divine omens, blurring the distinction between salvation and damnation in a citywide verdict of fire, blood, and awe.

Santya is an aggressive young chap, who is a matter of worry and fear for his family. When an Adivasi woman from Santya's neighborhood is raped and murdered by an upper caste man, Santya must make the journey towards becoming an Ambedkarite, in order to emancipate himself and help his community get justice and prosper.

Bored, privileged, and convinced his life has zero plot, a drama-hungry Gen Z cinephile leaves the city for his ancestral village in search of some main-character energy, hoping life will finally give him something worth talking about, but an unlikely friendship, a new world, and one unexpected twist soon turn his own life into the story he's been waiting for.

Guna is a village labourer in the hinterlands of Maharashtra. Holding a passion for the 'tamasha' theatre shows, he decides to start his own troupe. Instead of the prestigious role of the king he always dreamed of, he ends up having to play a 'nachya', an effeminate, homosexual man. He goes ahead with the decision, which forever changes him and his family, as he ends up torn between his artistic passion and his societal prestige.

Janaki, a divorcee trying to find meaning of life in a sea-turtle conservation project run by the conservationist Dattabhau in a coastal village, accidentally meets an young man. Janaki, with her empathy for the young man, Manav, tries to create a non-judgmental, non-intrusive, warm atmosphere to help him bloom. Janaki herself, her driver-assistant Yadu, conservationist Dattabhau, servant Bablya and street-kid Parshu - none of them not related to each other - become the vulnerable young Manav's support system.

Film with a soundtrack featuring Kirti Killedar & Pranjal Deshpande

After witnessing the brutal death of his family, an embittered ex-army officer agrees to infiltrate a gang of terrorists.

During the 1980s in India, a group of con artists rob businessmen and politicians by conducting fake raids, posing as officers of the CBI or Income Tax Department . They plan to execute their biggest con as a final job while a relentless cop is on their trail.

Yamuna along with her son Laxman locates in Mumbai leaving behind her abusive husband. She takes shelter in the house of her aunt Chandra whom she calls Akka. Yamuna's only aim is to give better education to her son. Chandra finds her a job as a sweeper in an art school. Yamuna finds that Chandra poses as a nude model to the students of the school. Chandra confines Yamuna to take up the job of being nude out there the students don't look at you in lust but as a project.

Aditya Sharma and Neha Kasliwal are in a relationship which finds itself challenged one night when they’re out on a date and get harassed in the dead of the night by two men posing as policemen. Will the night change the course of their relationship?

Takes a slightly different look at various layers of life in a city like Mumbai through the eyes of Ram Saran (Manoj Bajpai), a garage mechanic who hails from a small town. The film is also about his interaction with the different layers of society that is prevalent in the city.

Bombs tear through Bombay in 1993, wreaking havoc and polarising the citizens. With perpetrators at large, the state launches a massive man-hunt to unmask the perpetrators behind these events.

A family entertainer, Zindagi Virat is based on the relationship shared between a father and son and features some of Marathi cinema's finest actors such as Kishore Kadam, Atul Parchure, Bhau Kadam and Usha Naik playing important roles.

After meeting the chief of police's pretty daughter, a gangster kidnaps the girl. During the journey they fall in love and the gangster decides to set her free.

Mammo is an account of a certain period in the life of Riyaz, a teenager who lives with his grandmother Fayyazi as they get a visit from his grandma’s sister Mehmooda Begum Anwar Ali, commonly known as ‘Mammo’.

A filmmaker stands trial when a costume assistant on his movie accuses him of rape.

Anand, a retired teacher, has dedicated the past decade to bringing film literacy to children in remote villages through his Children's Film Club. Despite public opposition, he passionately promotes cinema’s educational power. When young filmmaker Omkar decides to document Anand's work, the challenges of delivering quality cinema to these underserved communities become evident. During a screening in a remote village, a sudden power outage leaves the children watching only half of the film. Among them is Ankur, a clever and spirited 9-year-old, who improvises a captivating story based on the incomplete movie. Inspired by Ankur's creativity, Anand and Omkar embark on an unexpected journey that takes them from the villages of India to Hollywood. This journey bridges cultural divides, highlighting the universal impact of cinema and the connection between grassroots efforts and global recognition.

Highway is a film of that escape which all of us yearn for. It is an attempt to see our own reflections in today’s time.

Keshya, a simple villager believes that god has arrived in his village but everyone disbelieves him. Later when the politics plays its part things take a drastic change

The story of ‘Pangira’ is all about how rapidly Indian villages have changed, over a period of time. Old rural hospitality and contented, peaceful village life – is now a History! Right from natural resources to local politics – ‘Indian village’ has changed and IS still changing from every aspect. Miss-use …of drinking and farming water, un-imaginable destruction of natural resources by cutting down trees in and around villages is normal. Development is happening, but with ‘Jilha Parishads’ and ‘Panchayat Samitees’, politics and courruption has become integral part of the system. At the end, a farmer, a common man, still does not get the price he deserves for his hard work.

Based on the Naxalite–Maoist insurgency in the Bastar district of Chhattisgarh, an army officer leads a mission to eradicate a group of Maoist separatist insurgents responsible for the massacre of a military troop.

A family faces supernatural chaos when witchcraft and ancient beliefs invade their remote village. A woman must uncover the truth about dark rituals and herself as fear and madness grow.

BP is about four teenage friends (Avya, Bhagya, Chiu and Dolly), who over hear that, a friend, a resident of their colony, Jyoti tai, has left their colony, as she has brought disgrace to her family. Having received unsatisfactory explanations from their parents for Jyoti tai's exit. It becomes imperative to find out what exactly was her disgraceful act. Kids decide to take up this challenge. In this journey to discover, they end-up bonding little too much with their over mature school-mate 'Vishu', the guiding star for the foursome. He enlightens them by throwing his divine light upon blue films. He feels, one has to read, watch, and if need be, perform to understand the true meaning of life (read SEX).

Bharat Ek Khoj is a 53-episode Indian historical drama based on the book The Discovery of India by Jawaharlal Nehru, that dramatically unfolds the 5000 year history of India from its beginnings to the coming of independence in 1947. The drama was directed, written and produced by Shyam Benegal with cinematographer V. K. Murthy in 1988 for state-owned Doordarshan. Benegal's regular script collaborator Shama Zaidi also co-wrote the script.

In this fictional tale set in 1960s Mumbai, an enterprising cotton trader who craves legitimacy and respect, starts a new gambling game dubbed ‘Matka’, that takes the city by storm and democratizes a terrain previously reserved for the rich and elite.

Seven murders; Unsolved for over one & half year. Will the ace cop from Mumbai, Ramakant Kulkarni be able to bring Justice?

The story follows Avli and Dadarao, a couple from Dongav Boodruk village. Dadarao, a two-term Sarpanch deeply rooted in politics, believes his wife Avli an educated yet modest homemaker lacks understanding. When the Sarpanch seat is reserved for OBC women, he reluctantly nominates her. After Avli wins, she gradually realises her strength and responsibilities, taking charge of village affairs while balancing her household. As she grows into her role, Dadarao’s male ego is challenged, and he ultimately accepts her leadership. The story portrays Avli’s empowerment and their shared journey of transformation.

Swathi dreams of owning a restaurant. But when a murder derails her plan, she and her lover take an outrageous step — to replace him with her husband.

A 20-year-old girl is brutally assaulted in a small village in Konkan on the day of Shimgotsav, unleashing a series of thrilling and mysterious events that expose a horrifying truth beyond imagination.

The Khatu family's yearly visit to their ancestral mansion takes a sinister turn with a series of deaths. With conflict and suspense rising around the mansion's fate, will the family survive the stay?