Marius Florea Vizante

All important figures, from police officers to the president commit abuses and fight for rights that normal people doesn't dream.

In 21st century Bucharest, to go out in the city on Saturday evening on the arm of a beautiful woman is a risky financial investment. Ovidiu, an unassuming high school teacher, never could afford it. Looking for a source of income more substantial than a teacher's salary, Ovidiu plunges into a fabulous world – the beggar mob.

An old man is in need of a surgery. He goes to the hospital pushed by his wife who has arranged everything. What it should be a simple medical intervention turns into a meeting with the destiny. Will the old man understand the meaning of this encounter?

Maria Tanase was Clery's wife for 13 years until the day she died. But her great and true love was Alfred de Chastelain, with whom she lived the most beautiful love story. Who was Maria Tanase?

In 1911-12, the Romanian movie director Grigore Brezianu and the financial tycoon Leon Popescu made together the 2 hours long movie "Romania's Independence" - an as faithful as possible screen adaptation of the real Independence War that had been fought in 1877. Now, "Restul e tacere" tells us, in a loose and half-fictionalized way, the story of this movie making.

Inspired by a true story, the film presents a TV reporter's journalistic investigation into alleged American "flying prisons" in Romania. Through a combination of circumstances, following a mysterious File 631, Dinu (Iosif Paștina) discovers a leak from a NATO base in Romania. The news event stirs, provokes, tempts various media, top politicians, services, both internal and external, causing both hilarious and absurd dramas in a black comedy. The journalistic endeavour of the "newly" turned investigative reporter is a tough, not easy, test to preserve his professional dignity, but also his character, noting the duplicity, the moral volatility, the lack of measure of a world that relentlessly continues its course.

Being forced into prostitution by her father, she finds solace in her friends and her journal.

It is late in the Ceausescu era in Romania, and Cristina is having a difficult time with her boyfriend. He wants her to have sex with him before he goes off to do his obligatory stint in the army. She wants him to marry her first. She also gets involved with a slightly rebellious actor, a would-be ladies' man. He has some vague plans to defect - could those be the reason he is receiving mysterious phone calls? Or are they the work of his anonymous admirer?