Sulabha Deshpande

In the United States for the first time, an Indian housewife with a limited command of English turns Manhattan into her personal language school.

When a revengeful Krishna destroys his brother's motorbike, his mother asks him to return home only when he earns INR 500 to repair it. In a turn of events, he finds himself in a Bombay slum.

Najma cannot marry Akhtar until he is financially stable. An elderly Shakir promises to help Akhtar set up his business in exchange for Najma finding a suitable bride for him

A cabaret dancer who was raised in a brothel sets out to find her biological mother.

A young woman falls in love with a handsome playboy, while aboard a Singapore to India cruise. They make plans to meet again, but fate may have other plans...

The film revolves around a gangster named Mustafa (Patekar) who is a contract killer and can go any limit to please his superiors and offers 5 times Namaz. He was adopted by a powerful don Shanta Prasad (Rawal) when he was a child. He calls Shanta as Abba (an Urdu term for father). Abba taught him the crime tactics and made Mustafa his weapon for his illicit crimes. Mustafa's only aide is Sudama, his childhood best friend. Abba shares enmity with the Verma brothers Mahesh, Rohan and Bipin (Pradhan, Joshi and Bahl) which the trio wants to kill Abba. Meanwhile, a dancer Kavita (Tandon) who works in Verma's dance club.

Janki lives a poor lifestyle in a small village consisting of her dad, Bhervi Prasad and her mom. She meets and falls in love with her school-teacher, Ramcharan, and both want to get married. Ramcharan's brother is opposed to this marriage as Bhervi is unable to pay any dowry, nevertheless the marriage does take place, but the couple are turned out of Kalicharan's house, and instead go to live with Ramcharan's friend, Ashok Mishra.

The year is 1975, the place is Mahim, Bombay, and this is the story of Tikku, a eunuch, the only child of yesteryear Bollywood actress Nazneen Begum, who has fallen upon hard times, is virtually destitute and is dependent on Tikku, who does make-up/hair-dressing of Bollywood actresses. When she passes away, Tikku is beside himself with grief. After the funeral, he witnesses a woman leaving a child in a garbage bin.

Framed for a crime he didn't commit, Mohan Kumar loses his wife, son and freedom, then he emerges from prison, vowing revenge.

One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.

Two siblings decide to share a pair of shoes till their father can afford to buy another. But things look bleak when their father is unable to find a job and is also suspected of criminal offences.

Despite their determination and effort, two working class friends in Bombay struggle to improve their lives.

The Verma family consists of two brothers, Vijay and Sharad (Jeetendra and Govinda respectively), Vijay's wife, Ganga (Reena Roy), and their daughter. Sharad is unmarried and is studying in college, while Vijay runs the household on his income. In college, Sharad meets with Punam (Meenakshi Sheshadhri) and both are attracted to each other. Ganga and Vijay get them married, but permit them a married life only after they complete their studies, which they do so. They are devastated to learn that Punam cannot be a mother, so Ganga lets Punam mother her child. Soon Sharad gets a job, which gets him to re-locate to another city, and there are tearful good-byes. Punam decides to keep Ganga's child with her. But Ganga has been kind to Punam and Sharad for a reason, and now the time has come for payback.

An estranged couple accidentally meet in a railway station's waiting room and revisit their past.

Avinash loves Anuradha and works in Mumbai, with a family to support. Avinash's mother wants him to get married but due to responsibility of his family he backs out. Avinash gets married to Anuradha as her family plans her to marry someone else. But Avinash soon passes away and his family blame Anuradha for his death. But without any hesitation she takes care of his family.

Vijeta (The Victor) is the coming of age story of Angad (Kunal Kapoor). Confused like any other teenager trying to find himself and caught in between the marital problems of his mother Neelima (Rekha) and father Nihal (Shashi Kapoor). It is time for him to decide what he wants to do with his life. To select a profession and be someone, Angad chooses to become a fighter pilot with the Indian Air Force. What follows is his struggle to become a victor both with his self and the outer world.

Samir, a college student, has never struggled for anything in his life while his parents want him to be more responsible. Things take a turn when he gets caught in a drug raid.

'Albert Pinto Ko Gussa Kyun Ata Hai' revolves around the Pintos and the people connected to them. There's Albert who's pretty much angry at everybody. His brother Dominic who thinks it's better to be jobless than to work an underpaid job, his patient sister Joan who works at a sari shop, his independent girlfriend Stella who feels under-appreciated by her boyfriend, his father and his colleagues, client and Stella's family. The film is very much a social commentary about Middle-class life in Bombay during the late ’70s and the conflicts arising in the labour force because workers were getting severely underpaid.

Ishwar and Shanti are childhood friends who come from different social backgrounds. They live, study and travel together and fall in love with each other as adults. When Ishwar's sister-in-law chooses a bride for him, he refuses and announces that he wants to marry Shanti.

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

A political and social satire on middle-class society's hypocrisy. A group of teachers plan to stage a play in a village. When a cast-member does not show up, a local stagehand is asked to replace him. An improvised, free-flowing 'rehearsal' is arranged and a mock trial is staged to help the novice understand court procedures. A (mock) charge of infanticide is levelled against Miss Benare, another cast-member. Suddenly the pretend-play turns into an accusatory game when it emerges from the trial that Miss Benare is carrying an out-of-wedlock child from her failed illicit relationship with Professor Damle, the missing cast-member.

The plot of this movie is centered on two families. The first family is Gangavva, her son Kitty and Gangavva's Raghappa. Another is Desai's family. It was a family that supported the widowed Gangavli. The story moves forward by digging up old memories. Story: Dr. Shankar Mokashi Punekar (Based on Novel of Same Name) Karnataka State Film Awards 1994-95 First Best Film Best Actor – Ananthnag Best Story Writer – Dr Shankara Mokashi Punekar Best Art Director – Ramesh Desai, Nanjundaswamy

A poor young man sells himself as a bonded labourer to a local landlord in order to marry the love of his life, after his fiancé's father demands a dowry for marrying his daughter.

In a world that both glamorizes and patronizes her, a successful film star begins to unravel under the weight of the roles imposed upon her, drifting between studios and her personal life as she spirals into an identity crisis.

Bharat Ek Khoj is a 53-episode Indian historical drama based on the book The Discovery of India by Jawaharlal Nehru, that dramatically unfolds the 5000 year history of India from its beginnings to the coming of independence in 1947. The drama was directed, written and produced by Shyam Benegal with cinematographer V. K. Murthy in 1988 for state-owned Doordarshan. Benegal's regular script collaborator Shama Zaidi also co-wrote the script.

Seven teenagers Ashutosh, Raja, Julie, Shiva, Ronnie, Sanjeev and Rahul who battle an evil force that takes the form of a clown called Woh that kidnaps children.