Maya Kudô

Three young boys drunkenly rape a woman named Emiko, the wife of a man they've developed a friendship with. She dies of heart failure during the attack. Her chicken farmer husband, incapable of dealing with her death tends to her corpse as though it were still alive completely unable to accept her demise.

The background is Yuraku-cho in Tokyo and the film shows how desperately the women, who had led sheltered lives before the war, struggled to keep alive and the innate strength of post-war women.

Asami Ogawa in her first leading role as an office lady with a healthy sexual appetite who grows bored with the limited choices that society offers her.

A woman works at a massage parlor to earn money for her daughter. Filmed on location.

On the advice of their horoscopes, a scenario writer, a producer and a director take a working vacation to a hot spring in the hopes of finishing their porn script. For the next week, the three men conduct interviews with many young women, seeking to discover their next starlet.

A man was sentenced to prison for rape. After he was released on parole he had a difficult time finding work. He tried to resist the sexual urges that put him away but his inner beast keeps resurfacing with brutal results. Then one day on his way to another interview he meets a married woman.

In order to win a spy war between companies, a company develops a cyborg sex machine that has no female emotions whatsoever, to infiltrate a rival company with a woman and use her own body to steal information from the opposing company. The older sister, who was transformed into this corporate spy sex machine, dies mysteriously. It was because she fell in love with a man from the rival company, and for some reason, despite being a cyborg, she became a real woman in front of him at the end. Unaware of these circumstances, the younger sister volunteers to become the cyborg sex machine herself in order to find out the truth about her sister's death...

A three-member motorcycle gang spends its time raping women until one member’s sister gets involved.

A somewhat liberal adaptation of the life of painter Shuu Ito, the film focuses on his sexual torture of two wives and a prostitute. Ito chronicles the sessions in journals, shares his pseudo-Sadean philosophy, and drives women mad with equal hell-bent intensity.