Marcos Freire

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

An independent private security firm arrives at a middle-class neighborhood in Recife, Brazil.

1942, in the middle of Northeastern Brazil, two very different men meet along the road: Johan, an aspirin salesman avoiding the German draft, and Ranulpho, a rural Brazilian seeking escape from the drought.

Bernadinho and Pedro are students and face the classic tasks of fulfilling school obligations, taking good grades, being well behaved and complying with school rules, increasingly elaborated thanks to director Ademar. Frustrated, Pedro ends up finding a diary of how to cause chaos in school without being caught, which leads the two friends to follow the tips of the notebook.

Veronica, a young woman, lives in Recife, one of the most violent cities in Brazil. Her life is filled with fleeting love affairs and passing romances. As her father feels his death approaching, he asks a favor: that she finds true love before he passes away.

Mario decides to tell his family the truth about himself. But when he is finally ready to come out in front of the entire family, his older brother Vicente ruins his plans.

In northern Brazil, Hermila patiently waits for her husband. However, he has abandoned her. Sexy, restless and resolute, she raffles off "a night in paradise" with herself. This beautifully-shot portrait doesn't shy away from the burdens of a young scarred woman, but it also celebrates her courage to live according to her own rules.

A road movie that follows a solitary man as he sets of on a journey to the south of Brazil. The strange characters and absurd situations he encounters along the way present an extraordinary portrait of human relations.

A man falls in love with a teenage girl, who is exploited by her own grandfather, who sometimes takes her to a gas station to show her naked to whomever pays him some money.

Malu — a mercurial, unemployed actress living with her conservative mother in a precarious house in a Rio de Janeiro slum — tries to deal with her strained relationship with her own adult daughter while surviving on memories of her glorious artistic past.

To escape past traumas, a truck driver João decides to leave his hometown behind and travel cross the country. Alone and lonely he drives all over Brazil until João discovers hiding in his truck a motherless boy looking for his father. Reluctantly, João agrees to take the boy to the nearest town and, during the trip, he finally finds the courage to face his past.

In Lapa, Rio de Janeiro, the idle aspirant writer Zeca has been living with Arts Professor Júlia for five years. He is stuck on page 50 of his novel for a long time and Zeca claims lack of inspiration to conclude the plot. He leads a comfortable life from inheritance left by his mother and administrated by his father Humberto. When Zeca sees Júlia alone with her best friend Carol in his flat, he believes that they are having a love affair and becomes obsessed with Carol, following her. Júlia travels to São Paulo with work giving Zeca the perfect opportunity to have an affair with Carol. So begins his complicated life: while Júlia works and studies for her doctorate, Zeca has sex with Carol during the days and with Júlia during the nights. Zeca plots a scheme to stay with either Carol or Júlia but his plan does not go as he hoped.

Documentary about the oppression of a group of a families of the MST, the Brazilian Landless Workers Movement, who invaded Anoni Farm, a farm in the state of Rio Grande do Sul, Brazil, in 1985, and Rose, a woman fighting for the right of owning a land and for elementary human rights, and mother of the first baby born in the camping site.

In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.

Mônica abandoned a promising career in advertising to raise her children, Luíza and Leo, and now, about to turn 40, she is in crisis. Her teenage daughter, a rising digital influencer, no longer admires her. The husband decides to treat his wife to a family trip to the famous Praia Star Resort. This could be the opportunity that Mônica needs to reconnect with her daughter, even if she has to compete in a Miss pageant to do so.

Three childhood friends plan meeting for a day in order to reassert their friendships and fight for their differences. One of them is involved with crime, one is a famous football player and the other struggles to maintain a middle-class lifestyle.

Aunt Virginia is a 70-year-old woman who has no children and has never been married, and ends up being convinced by her sisters, Vanda and Valquíria, to move to another city in order to take care of her parents. Taking place in just one day, the film follows Virginia's preparation to receive the sisters who are coming to her house to celebrate Christmas.

In an ancient family mansion, mother Sydia and daughter Nina spend a tense night of isolation just as a solar storm threatens to collapse the Earth’s gravity. What begins as a fraught domestic moment quickly shifts when a mysterious visitor, Lara, arrives, and the house’s long‑missing employee, Joana, returns with disturbing news from the outside world. As the cosmic and terrestrial crises gather, the four women are forced to face buried secrets, generational trauma and shifting power dynamics. Their physical refuge becomes a battleground of psychological and symbolic upheaval, where the end of the world becomes mirror to the end of the old order — and perhaps the beginning of something new.

Glória Hartman, a mature woman going through an existential and financial crisis, returns to her hometown, which is undergoing a process of abandonment. Through a crack in the ruins of where the writer Clarice Lispector once lived, Glória begins to see fantastic scenes that will change her life.

Due to a rare phenomenon, a woman finds herself pregnant with twins by two men. Over time, she strives to keep her family united — and her secrets hidden.