Max Linder

On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him. To prove Nadine's not important to him, Don acquires innocent new protege Hannah Brown, vowing to make her a star in time for next year's Easter parade.

A painter working at the Louvre is struck by the Mona Lisa. When he meets a girl whom he believes bears a resemblance to the painting, and who wants him to become famous, he comes up with the idea of stealing the painting. Based on the real-life theft of 1911.

The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1889-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.

In this movie, Max Linder parodies the famous novel "The Three Musketeers".

Max causes havoc when he joins other skaters on a frozen lake.

Max presents himself with a letter of introduction to Mr. Charles Pathé. He is then passed from hand to hand until he finds himself facing a director who has him do a few tests: singing, dancing, performing a somersault, receiving a slap. Some time later, he is summoned for a screen test. We then see him at odds with his wife and especially his mother-in-law, who end up throwing him out of a window and then successively hurling a table, a wardrobe, a mattress, etc., at him while he is being filmed. Finally, the director asks him to make a face in front of the camera. And that's when Max rebels and turns against his tormentors.

A long-retired director of early silent films recalls his exciting career as a filmmaker.

Max and his young bride attempt to enjoy an Alpine honeymoon, despite the presence of her mother.

Bob Monkhouse introduces the golden age of slapstick comedy.

After breaking a mirror in his home, superstitious Max tries to avoid situations which could bring bad luck, but in doing so causes himself the worst luck imaginable.

Max suffers from drunkenness, but gets serious after he falls for the daughter of a circus director - who forbids her romance with an outsider.

Max proposes to a lady. Inexplicably, she insists she won’t marry him until he learns to juggle. At this news, Max goes home and tries to learn but is ultimately unsuccessful until he hatches an idea...

Max accepts a wager that he cannot remain in a haunted castle for one hour (11 PM to midnight) without crying for help. As soon as he arrives he encounters strange and nightmarish visions, but he is nevertheless on the verge of winning the bet when a phone-call brings startling news.

In this one, [Max] is on vacation and wooing a young lady, but she and her cousin decide to play a trick on him, by getting him inside a barrel, and then tossing it into the ocean.

This Max Linder short opens with him and his girl blissfully rowing in a canoe before skipping ahead two years later.

When Max, a newly married man, suspects that his wife may be cheating on him, he gives his faithful dog Dick orders to keep on eye on her when he's not at home.

Kalle Jeppson is the joyful owner of a rural inn, "Spången" (The Footbridge). His only problems are all the bylaws that makes it difficult to have a quiet drink and the shrew of his wife who is always nagging on him. Kalle is afraid to tell her that Karin the maid is really his daughter from the days before their marriage.

Kino Classics and Lobster Films celebrate the legacy of Max Linder, a pioneer of comedy whom Charlie Chaplin referred to as "the great master." With his trademark silk top hat and cane, the French-born Linder blended slapstick with sophistication, and invested his films with a layer of cleverness that elevated them above mere knockabout comedies, paving the way for such multi-dimensional screen comedians as Chaplin, Buster Keaton, and Harold Lloyd. The collection includes four of Linder's American-made productions, meticulously restored from archival materials: THE THREE MUST-GET-THERES (1922, a parody of The Three Musketeers), SEVEN YEARS BAD LUCK (1921, a masterpiece of physical comedy), and the romantic farces BE MY WIFE (1921) and MAX WANTS A DIVORCE (1917). THE THREE MUST-GET-THERES U.S. 1922 Color Tinted 57 Min. Written and Directed by Max Linder

A man lives a normal family life during the day, but late evening he becomes a different person, taken to night-clubs and their attractions of songs and bohemia.

Polichinelle the servant (called Harlequin in the English language version) rescues his girlfriend from a gang of decadent aristocrats, who have transformed her into a mechanical doll.

Maurice returns out of habit in the apartment from which he has just moved and turns the lives of the new tenants upside down.

Max is a millionaire who is forced to lead a double-life as a waiter, the result of having lost a wager.

When Max's friends doubt his acting ability, he invites them to a dramatic theatrical performance.

In a living room, four contemporary couples from the time the film was shot dance a waltz under the direction of a violinist (Linder). They begin a minuet and their costumes change in a sudden. A man enters and seems interested in what he sees, casts a spell and everything disappears. Transforming himself into the devil, the visitor takes the violinist with him to hell, where he creates a large piece of silk out of a cauldron. The fabric unrolls, revealing a young woman in a silk dress that starts dancing the serpentine. While she dances, other women join in a synchronized ballet, before all of them vanish into bursts of flames.