Claude Prégent

Depuis une sérieuse dispute avec son frère Fred, qui lui servait de modèle, Viviane, photographe professionnelle, a mis en veilleuse ses ambitions artistiques. Or, le hasard lui fait rencontrer Guillaume, un jeune mécanicien dont la photogénie naturelle l'inspire. Réticent, ce dernier se laisse convaincre de poser pour Viviane qui, retrouvant son énergie créatrice, fait de lui le sujet d'un projet d'exposition. Bientôt, l'artiste constate que le jeune homme, qui vit toujours chez ses parents, porte les stigmates d'un douloureuse expérience familiale, qui le rend asocial et autodestructeur. Tout en cherchant à percer le mystère de Guillaume, Viviane tente un rapprochement avec son frère.

A young woman, living with her parents and siblings on a remote farm in harsh, picturesque northern Québec, has three suitors: a steady and unimaginative farmer, Eutrope, the Americanized and wealthy Lorenzo, who has sought his fortune in Boston, and François Paradis, a rough and virile logger who captures her heart despite the warnings of her parents and the village priest. For a year, marked by seasonal change in an atmosphere charged with the strangeness of Indians and the demons of the woods, we see Maria at work and prayer, struggling with decisions, choosing to stay in Canada, in love with François, seeking to change his rough behaviors, and dealing with extraordinary loss.

Suzie and Samuel have known each other since childhood. With their friend Judith, they form a friendly trio. Now in their mid-twenties, at the age when everything is possible but nothing is easy, they find themselves at a crossroads.

'Caméra Café' tells the daily life of employees at a Montreal branch of a large Toronto company through the camera hidden inside a coffee machine installed upon request of the big boss.

The saga of the Trudeau family and the trials and tribulations of dealing with each other while trying to run a small hotel. It seemed like a good idea at the time. The family patriarch, George, spent the family fortune and bought the Inn. When the old man passed away, his last will and testament, delivered on video, bequeathed the Inn to his beloved black dog. Now, his three sons and their families, his ex-wife, mistress and various employees must find a way to get along and manage the family business without driving each other completely crazy.

L'Amour avec un Grand A is a French-Canadian television series which aired from 1988 to 1995. The series explores different complex sexual and taboo issues. Some notable subjects include: Rape, Teen Obsession, Age Difference in love, Homosexuality and Married, Schizophrenia, Spousal Abuse. The series lasted 7 years and was very popular in Quebec. It was written by Janette Bertrand.

Welcome to Superior Air! Buckle up, put your seat in the upright position, and get ready for the jokes to fly at 30,000 feet. Kim, Clara and Justin, our senior flight crew, will make sure that every flight is unforgettable. On each trip passengers of all ages, with their own stories, will board the plane for a destination.

Beaten and live an unimaginably difficult childhood, Elisa Trudel and her sister Madeline Trudel still have hope in their heart. Beaten both by their heartless mother. Their mother that this remarried with another man after their father died of a heart attack. Day after day, Elisa and Madeline overcomes the challenges and they discovers the key to be happy, is love. Based on a true story happened in the 70s.

Robin et Stella was a youth TV show aired on Radio-Québec from 1988 to 1992 featuring France Chevrette as Robin and Lorraine Auger as Stella. The main plot was split into stories which lasted 3 episodes. Robin et Stella was aired 3 times a week.

In the 1950s, young boys were placed in orphanages and endure harsh and austere living conditions. As a united group, they supported each other and survived despite bullying, hardship and little hope for better days. While these children were doing their best to survive, they had no way to suspect the secret dealings between the clergy, the medical profession and the government that will inevitably seal their fates. The institution faced with a precarious financial situation, the solution is to transform the orphanage into a psychiatric institute in order to obtain additional subsidies. To demonstrate the need for this change in status, the orphans are labeled as insane by the very people who took them in to help them. While their future as orphans was already precarious, they become prisoners of an asylum system from which they have little hope of being able to free themselves even as they grow older.