Dietrich Kuhlbrodt

A serial killer strikes fear in the hearts of residents of Hamburg during the early 1970s.

Wanda, a dominatrix who runs an S&M gallery on the Hamburg waterfront, must choose between her lesbian lover and an American trainee.

In 1945 Germany, following the end of World War II, Leopold Kessler, an American of German descent, is hired by his uncle as a sleeping car conductor on the Zentropa train line. Leopold's wish is to be neutral to the ongoing purges of loyalists by Allied forces and do what he can to help a hurting country, but ultimately finds himself being used by both sides.

An eccentric homage to the Rainer Werner Fassbinder days of German filmmaking.

In Africa - Land of the ever shining sun, German soldiers fulfill a UN mission. For homosexual General Brenner its a dream comes true: Here, where the people are still native and simple, the German can prove his abilities. But then the virgin wife of Brenner gives birth to her first child. Is it the new Messiah? But what is a Messiah good for, if the UN is already there?

On 30 April 1945, dictator Adolf Hitler, his wife Eva Braun, and prominent members of the Third Reich live out their final hour in the Führerbunker.

Every year a group of humorists get together to tell each other the best jokes of the year and to complain about their existence as freelance joke tellers. But this year is something different. The troupe is not only celebrating its twenty-fifth anniversary, guests are also supposed to broaden the humorous horizon. And for the first time there is also a woman who messes up the staid men's evening. The bizarre congress takes its course.

A mockumentary - after suffering a tragic accident on a shoot in Tuscany, Udo Kier is about to die. Alfred Edel is sent in to film an obituary.

Egomania is a visually stunning end-of-the-world melodrama about lust, jealousy and murder set amidst solar eclipses, orchestral chants and the distant thunder of the boiling sea. The film’s characters – riddled with unconscious desires – find themselves imprisoned on an island. Drawing parallels to the work of British filmmaker Derek Jarman and staring Jarman’s actress-muse Tilda Swinton, Schlingensief’s raw and almost mythological film stands in contrast to his more offensive efforts.

ABCs of Superheroes brings you not only one or two or five, but no less than twenty-six of the most heroic and outrageous Superheroes and Supervillains of all time. From the Almighty Ape to the fabulous Zee-Men, this anthology feature film will have you laughing and screaming for more. The ultimate experience in Superpower!

Speedy, merciless and with plenty of black humor Gasman shows the picture of a man searching for his inner soul.

Taking place around the German reunification of 1990, a group of East Germans cross the border to visit West Germany and get slaughtered by a psychopathic cannibal family who want to turn them into sausages.

Germany, right after the re-unification. The people are out of control, blind hatred towards immigrants is common sense. In this time, a social-worker, with the mission to bring a Polish family to their destination (an immigration camp in a little provincial town called Rassau), gets kidnapped just as the family. Chief inspector Koern and his girl-friend start to investigate in this matter in Rassau, exploring a world of obsessive sex, mislead lust and an over-whelming irrational love to the German nation, infiltrating anyone's mind. Rascism doesn't start with shaved hair and boots but rather in the middle of society itself...

A traumatized young man, abused by his father, imagines himself as Adolf Hitler when dreaming of revenge. Schlingensief released this film, which follows no linear narrative structure, at a moment when right-leaning German intellectuals argued for a coming to terms of the country’s relation with its Nazi past. Schlingensief disagreed. (MoMA)

An African-German author loses his memory and is used by a modern National Socialist Party as a promotion-figure for more political power over Germany.

Scientific documentary film exposing the cencorship laws in the BRD as an instrument used for propaganda. Its the third part of the "Bundesdeutsche Filmpolitik" Trilogie.

Oskar Panizza’s The Council of Love (1895) is a blasphemous play set in 1495, during the first recorded outbreak of syphilis, which Panizza satirically presents as the punishment from Satan for sexually active humans. As a result, Panizza was imprisoned for obscenity. Schroeter alternates scenes from the Panizza’s work with a dramatization of his trial, presenting the play as an expressionist spectacle performed by actors wearing exaggerated makeup who gesture and grimace grotesquely. The film thus forms a bridge between Schroeter’s use of tableaux in his early experiments with the political urgency of his 1980s films. On the eve of the AIDS crisis, Schroeter is presciently worried about disease as an excuse for governmental repression and the oppression of sexuality. - Harvard Film Archive

Lower Saxony's most hardcore punk band faces off against the forces of evil summoned by their town's elites.

A hybrid work of nocturnal forays through Hamburg in documentary-animated live action. Alongside feminist social criticism, autobiographical references remain never fully deciphered. Alongside the gloomy Wanda Wandalis and Krossen Kerlen, "Didi" enriches the director's dark excursions and artistic positions in a fascinating way with his presence as an eccentric character. This love, embodied by Dietrich Kuhlbrodt (known for his subversive roles in Christoph Schlingensief's films), brings unmistakable charm and humor to the collaboration with Pachet Fulmen. "I'm not interested in pigeonholing," says Fulmen. Her art is a rebellion against convention — uncompromising, uncomfortable, unforgettable.

The joint high mess of 80s German underground: An exercise in exquisite corps (and in some cases probably also automatic writing) for which artists from both nations shot episodes from the Good Book - not necessarily following the text too closely.