Donnie Fritts

Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.

Trucker Rubber Duck and his buddies Pig Pen, Widow Woman and Spider Mike use their CB radios to warn one another of the presence of cops. But conniving Sheriff Wallace is hip to the truckers' tactics, and begins tricking the drivers through his own CB broadcasts. Facing constant harassment from the law, Rubber Duck and his pals use their radios to coordinate a vast convoy and rule the road.

Drunken, has-been rock star John Norman Howard falls in love with unknown singer Esther Hoffman after seeing her perform at a club. He lets her sing a few songs at one of his shows and she becomes the talk of the music industry. Esther's star begins to rise, while John's continues to fall. She tries desperately to get John to sober up and focus on his music, but it may be too late to save him.

An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo.

Doc Jenkins may be one of country music's most beloved stars, but his private life is a wreck. He's split up with his longtime partner, Blackie Buck, a country outlaw with a heart of gold. Doc's singer-wife, Honey Carder, has thrown him out of the house. And now he's gotten involved with a sleazy music manager, Rodeo Rocky, who's out to steal his material. Teaming up with Blackie, Doc takes drastic measures to win back his family and reclaim his songs.

A man who trains fighting cocks vows to remain silent until one of his birds wins a championship.

An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.

New West Records and Austin City Limits collaborated to release full, one-hour concert performances which were previously edited to fit the half-hour TV broadcast. These performances have been re-mixed and re-mastered in stereo and 5.1 surround sound. This performance by Kris Kristofferson on Austin City Limits was recorded on September 14th, 1981.