Mariken Halle

A middle-aged couple is tenting in the forest. Bjørn seems more used to the setting than Lars, but they are both influenced by the nature surrounding them.

HIM consists of three separate stories in one film. Harald (11) is a boy who constantly falls outside the group. He is not recognized either by friends, school or parents. Emil (30) is unemployed, he is angry and looks down on everyone else. Petter (60) is a Norwegian renowned scriptwriter who wants to make a film about the national hero Fridtjof Nansen. Two men and one boy, one day in Oslo, whom all experiences a social and emotional fall. The film discusses the male role in the contemporary Norway.

In Bodén’s hometown of Jämtland, staying put is anathema: speaking to a group of kids about this drive to leave home, she is told by a male student that only “stupid girls” would stay there any longer than is necessary. This hits home with Bodén, who was prompted to her research here by a conversation in which her sister declared, “I don’t think I’m worth more than Jämtland.” After her initial dismissiveness of her sister’s statement, she started to second-guess the conversation and her own ingrained notions of what it meant. This film is about Bodén’s search for understanding.

A discussion arises in a women's locker room when a trans woman is asked to leave. The situation escalates rapidly as more people chime in, all with different opinions about what makes a woman.

At a private business school during the pandemic, Margaret is trying to put together a team building event.

Three Swedish actresses work as waitresses in Oslo one summer. They use all their wits to get as much tips as possible. They plan to start a company and buy a house. They come to be our guides in the film and reveal a world of people doing things they don't want to do, playing roles they don't know why they're playing.

Mariken Halle first asked around her neighborhood if she might make a school film about one of her neighbors. When that didn’t work, she and her small film crew began addressing people on the streets of Göteborg. How would they imagine a movie that they would want to star in? The results were far from fantastic – she encountered dismissively amused responses and boring, confused ideas. But some of the people she talked to were different. They try getting into their “life role” – and she begins to direct them....

We follow a maternity group for a year. Parents and babies who are put together in groups of the health station and who meet at each other's home and eat lunch. Some of them have big plans. They will buy and sell property. Some are concerned about doing things right. Can babies eat cucumbers? What about cheese?