Julio Manrique

Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, in her late-thirties, unrepentant and happy; Ana, a teenager, remorseful and frightened.

Nico Albert is a very peculiar character teenager, with exceptional intelligence and a single obsession: chess. His parents, concerned about the anomalous attitude of his son, child psychologist hired Julio Beltran. Through therapy and common hobby chess, Julio will delve into the disturbing world of Nico and the complex relationships of this seemingly normal family.

Professor Lola Sánchez investigates the truth behind the events experienced by Rafael Sánchez Mazas, one of the founders of the Falange Española party, during the Spanish Civil War.

Consuelo Deulofeu is a young orphan who faces an enormous amount of difficulties, while investigating whether she is the daughter of a famous painter and her gypsy muse. While finding out her identity, she discovers that she is a gypsy and rebels against a fate dictated by society. When, thanks to confusion, she manages to work in El Siglo warehouses, a great love will be born.

"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

A metaphorical tale about pain and loss. Sela, a famous writer, committed suicide. Lars, her ex-lover, tries to find out why she did it. In the process, he discovers an unknown world of feelings and sense of guiltiness.

The exhibition, which coincides with the birth centenary of the poet Federico García Lorca, proposes a realistic recreation in images by Frederic Amat of the poet's screenplay Trip to the Moon. The aim, according to Amat, is to unravel the mysteries of the screenplay, an effort to distill its essence, silhouetting his poetic suggestion and let the script itself manifests in the different film procedures that invites the Lorquian conception.