Francisca Lewin

After Chilean writer María Carolina Geel murders her lover, the case captivates shy legal secretary Mercedes, sparking a connection between the two women.

Exequiel is a physical education teacher who lives with his father in San Antonio at the same house in which he was born and raised. His life hasn't advanced much ever since, but the re-encounter with an old love and other struggles of life will make him reconsider his future and, especially, his past.

After a head injury makes a dimwit stranger out Barbara's beloved Guille, she ceases to feel desire for him. Nearing 35, and longing for motherhood, she settles with a new partner, while the memory of lost love harrows her.

Gastón Fernández has arrived at 34 without too much to show or brag about. He has no money, job, girlfriend, friends or life plan. He's a composer that doesn't compose. The one-time "most likely to succeed" at Santiago's Musical Conservatory has passed from promise to failure. He feels he is beginning to wander alone. Isolated and detached. Gastón feels that everyone judges him and see the word loser tattooed on his forehead. At the same time, an alter-ego, a sort of doppelgänger, haunts him.

Teresa Wilms Montt is a writer, a rebellious woman, tormented and beautiful. He marries at age 17 challenging family opposition. She falls in love with someone she should not and the family court condemns her to confinement in a convent. Separated from her two daughters, she escapes to Buenos Aires with Vicente Huidobro. From that flight her life becomes an exciting and tragic itinerary.

Ariel Roth is a 30-something graphic designer. He feels close to his Mac, his apartment and riding his bike at night. Ariel doesn't want too much out of life. Is that too much too ask?

Anthology series based on real criminal cases, featuring an interview with the actual perpetrator at the end of each episode.

Miguel loses his wife Maria in a tragic car accident just hours after getting married. However, Maria's heart will continue to beat on another woman's body. The transplant that marks the death of María will also be synonymous of Elisa's new life.