Emilio Ruiz Barrachina

Film director Juan Bravo is in a deep, existential funk: his latest film has been vilified by critics, and his friends, relatives and even business associates are wasting no time in badmouthing him. He seeks refuge in the city of Oviedo, Asturias, wandering the empty streets at night, going to parties that are veritable circuses full of wannabes, and attending concerts and religious and traditional ceremonies as he seeks inspiration for his next film. He reminisces about his childhood but, most importantly, that strange woman who asked him to visit her at her apartment at precisely 10 p.m., not one minute more, nor one minute less.

Broken Poet is a compelling investigation into the meaning of success, rock stardom and even freedom itself which, as Janis Joplin sang, is just another word for nothing left to lose.

Javier Espada explores how Luis Buñuel, one of the greatest precursors of surrealist cinema through works like An Andalusian Dog and The Golden Age, began to move away from this movement but never completely abandoned it, maintaining a strong oneiric element in his films. Taking us deep into his past and evolution as a creator, this documentary provides an unprecedented window into the world and work of an irreplaceable genius whose influence has reached the rest of the arts.

Bernarda is a loose adaptation of the play La casa de Bernarda Alba by Federico García Lorca . Five women are kidnapped and locked in a strange factory and forced to work as prostitutes.

From a non-mythical perspective, The Disciple presents with high production value, the life of Jesus from a daring new angle, a human, without divinity, fallible and worrying disciple of God and the People on very real ground.