Phyllis Stanley

Good-Time Girl

Sent to a home for "problem" girls, incipient juvenile delinquent Gwen receives a crash course in petty crime. Back on the outside, she falls in with the usual bad crowd, and suffers spectacularly as a result.

Thunder on the Hill

Sister Mary presides over a convent where a convicted murderess, who is being escorted to Death Row, is stranded by bad weather. She is slowly becoming convinced that Valerie is innocent so Sister Mary sets about to clear the girl and bring the real killer to justice.

The Next of Kin

Lots of slogans such as "Be like Dad, Keep Mum" and "Keep it under your Hat" are visible on the walls in various scenes to reinforce the plot of this British wartime movie illustrating how gossipy talk can result in unknowingly giving valuable information to Nazi spies.

St. Martin's Lane

Pickpocket Libby is protected by aging street performer Charles, who takes her into his troupe. Libby's dancing leads her to meet songwriter Harley and launch a stage career, while Charles is seemingly spurned by the waif he has helped.

The Law and the Lady

A former housemaid teams up with an English gentleman thief and works a confidence game to bilk the wealthy but their plans for a big job in California go awry.

The Black Sleep

In 19th century England, a noted brain surgeon rescues a former student from being hanged on a false conviction for murder, and spirits him away to an ancient, repurposed abbey far in the countryside. There, he connives his pupil into assisting him in mapping the functions of the various parts of the human brain, using living subjects who are under a terrible animation-suspending drug called "black sleep". Subsequently, the student, along with the daughter of one of the subjects, discover that most of these subjects have survived but are being kept in a dungeon-like cellar, in various stages of physical and mental derangement...

They Met in the Dark

A Royal navy Commander is tricked by a pretty girl who is working for the Nazis. She tricks him into revealing some military secrets and he is court martial. He vows to track her and her accomplices down.

Take Me to Town

Saloon entertainer Vermilion O'Toole and her former partner in crime Newt Cole escape from a train ride to prison and hide out in logging town Timberline. Meanwhile, the three sons of widower Will Hall come to town in search of a wife for their dad. Vermilion needs to lay low to escape the marshal, so she accepts the boys' offer to visit pioneer community Pine Grove. Once there, she annoys local Mrs. Grundys but eventually starts to fit in.

Look Before You Love

Romance in Rio for a girl of the embassy staff.

There Ain't No Justice

A young boxer falls in with a crooked fight promoter.

Command Performance

Arthur Tracy and Lilli Palmer star in this 1930's British romantic drama. With his voice faltering due to nerves, celebrated stage performer "The Street Singer" (Tracy) parts company with the theatre and goes to live in a gypsy camp where he meets and falls in love with Susan (Palmer), an attractive young woman who is unaware of his fame.

Jeannie

Based on Aimee Stuart's play. Little Scots girl decides to use her inheritance for a "grand tour" of the Continent.

One Exciting Night

A young singer meets a man who is the victim of a kidnap plot, and is assumed by the gang to be his girlfriend.

Matinee Theater

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Four Star Playhouse

Four Star Playhouse is an American television anthology series that ran from 1952 to 1956, sponsored in its first bi-weekly season by The Singer Company; Bristol-Myers became an alternate sponsor when it became a weekly series in the fall of 1953. The original premise was that Charles Boyer, Ida Lupino, David Niven, and Dick Powell would take turns starring in episodes. However, several other performers took the lead from time to time, including Ronald Colman and Joan Fontaine. Blake Edwards was among the writers and directors who contributed to the series. Edwards created the recurring character of illegal gambling house operator Willie Dante for Dick Powell to play on this series. The character was later revamped and spun off in his own series starring Howard Duff, then-husband of Lupino. The pilot for Meet McGraw, starring Frank Lovejoy, aired here, as did another episode in which Lovejoy recreated his role of Chicago newspaper reporter Randy Stone, from the radio drama Nightbeat.

Schlitz Playhouse of Stars

Schlitz Playhouse of Stars is an anthology series that was telecast from 1951 until 1959 on CBS. Offering both comedies and drama, the series was sponsored by the Joseph Schlitz Brewing Company. The title was shortened to Schlitz Playhouse, beginning with the fall 1957 season.