Yelena Samarina

In 17th-century Salem, Hester Prynne must wear a scarlet A because she is an adulteress, with a child out of wedlock. For seven years, she has refused to name the father. A vigorous older stranger arrives, recognized by Hester but unknown to others as her missing husband. He poses as Chillingworth, a doctor, watching Hester and searching out the identity of her lover. His eye soon rests on Dimmesdale, a young overwrought pastor. Enmity grows between the two men; Chillingworth applies psychological pressure, and the pastor begins to crack. A ship stops in Salem, and Hester sees it as a providential refuge for her daughter, herself, and her lover. But will Dimmesdale flee with her?

Elvira is travelling through the French countryside with her friend Genevieve, searching for the lost tomb of a medieval murderess and possible vampire, Countess Wandessa. They find a likely site in the castle of Waldemar Daninsky, who invites the women to stay as long as they like. As Waldemar shows Elvira the tomb that supposedly houses the countess, she accidentally causes the vampire to come back to life, hungrier than ever. Daninsky has a hidden secret of his own, but will it be enough to save the two girls from becoming Wandessa's next victims?

The people of a fishing village is about to witness a miracle thanks to the new mysterious friend of a young, lonely boy.

When a vacationing couple in Tangiers runs into an old friend there, they discover that he is searching for his missing girlfriend who has been kidnapped by an international gang of white slavers.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

Luisa is called to the bed of her dying mother Edith at Karlstein Castle. Before she dies, she tells Luisa that the Karlsteins are a family of vampires and that her ancestor, the original Count Karlstein, lies buried in the crypt. Afterwards, Luisa goes and finds the count's coffin and discovers that he is undead. As she takes Karine, her cousin as her lover, a police inspector, Ptuschko investigates a series of killings around the town, dismissing the locals who insist these are being caused by vampires.

Tania, an asylum patient, is under the doctor's care while suffering raging behavioral effects that follow the death of her exorcised mother.

The film resembles a Ten Little Indians plot, with the crew of a Western film in post-production (who are staying as guests on an island retreat) cropping up as corpses one by one after the mysterious and inexplicable kidnapping of a child. The film plays up its traditional mystery angle, with each of the guests being as likely a suspect as the next, in scenes such as one in which all of the guests sit around in the parlor and cast dramatic, accusatory glances at one another.

Víctor is a handsome boy, skeptical and lover of the pleasures of life. He has no job or benefit and lives on women without realizing that his behavior triggers dramas and disappointments, pain and hopelessness.

Terrorized townsfolk turn into a lynch mob and target a lawman.

A man living in a remote area of India has an affair with a local woman who he leaves in order to marry another. His lover commits suicide after cursing him and his family. Upon returning from London with his new wife he begins to experience strange hallucinations.

The rivalry between the old bullfighter Manolo Carmona and young Romerita it takes to seduce Rocio, the Carmona's daughter, and elope with her. After a year, Romerita leaves the girl and the daughter, who spend all kinds of calamities. Some time later, Romerita dies. At the same time, Currito de la Cruz, a young bullfighter sponsored by Carmona, who has always been in love with dew, waiting patiently for the girl forget the past.

Hypocrisy and betrayal are the two dramatic pivots in this effective, emotionally gripping tragedy about the life and death of Paco (Antonio Banderas), a Spanish peasant who had been fighting against the feudal landowning system that kept farmers impoverished. Paco's life is told in flashbacks by a priest (Antonio Ferrandis) who is seen officiating at an anniversary mass attended by three wealthy landowners and no one else. The priest recalls Paco's baptism, his communion, his marriage ceremony and then his work for the peasants as he advocated and led them in a land-reform movement. The rest of the story will rest heavy on the priest's conscience, as he looks out at his empty church.

José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.

A group of travelers, stranded at an isolated, fog-bound mansion, are beset upon by the living dead from the adjoining cemetery.

After killing his girl friend, Ana, Amador (a dark and strange man) joins his family (which he can't stand) in Torremolinos, where he gets involved in the assassination of a foreigner woman. It is also in Torremolinos, where Amador meets Laura, a woman who falls in love with him...

The story of Dulcinea, the love of Don Quixote, who was only a normal girl named Aldonza that is suddenly involved by the legend of the brave and ingenous gentleman.

An aspiring young writer lives with his pregnant wife and works for a newspaper to provide for his growing family. When his sister-in-law comes to visit, there is a mutual attraction between the guest and the writer.

The lives of 3 singers during their last few months working at a venue called "The Moon's Balcony"

After Lord Archibald Marion is brutally murdered by an unknown assailant, his bitter and feuding family members gather for a reading of the will, setting into motion an increasingly chilling series of deaths when their arrival is marked by a second grisly killing.

A young woman was seduced by a high positioned official who is married but when she falls in love with a young man she tries to break the other relationship...

Lorenzo is a young man returns to Spain after spending some time in England, where he fell in love with Berta, the daughter of Spanish immigrants. Lorenzo writes several letters to her trying to convey the beauty of the world her parents left behind.

In the gritty gyms of post-war Zaragoza, Martín Baumer—once a promising boxer—is now a broken sparring partner with nothing left to fight for. But when an old friend calls with a plea that reeks of desperation, Martín boards a train to Madrid, stepping into a web of betrayal and blood. A single moment at a warehouse changes everything: a stabbing in the crowd, a body in his arms, and a city ready to condemn him. With no witnesses and no way out, Martín must face the toughest opponent of his life—his past.

Linda comes to the big city in search of fun and excitement. What she finds is exploitation and abuse at the hands of a succession of sleazy guys. Searching for love, she enters into a lesbian relationship with a beautiful countess, discovers drugs and swingers' parties and starts acting in porno movies. She also begins to write a secret diary...

Curro Jiménez was a successful Spanish TV series that aired on TVE1 from 22 December 1976 to 1979. Its main theme was Andalusian "bandolerismo" in the 19th century, located in the Ronda mountains. The main characters were four bandits, Curro Jiménez